A Quote by Douglas Trumbull

Peter Jackson is a real big hero of mine because he had the nerve to make 'The Hobbit' at 48 frames per second. — © Douglas Trumbull
Peter Jackson is a real big hero of mine because he had the nerve to make 'The Hobbit' at 48 frames per second.
48 frames per second is something you have to get used to. I've got absolute belief and faith in 48 frames... it's something that could have ramifications for the entire industry. 'The Hobbit' really is the test of that.
You're shooting the quarterback, and he drops back to pass the ball, and you see the ball leave his hand at 10 frames per second. At 7 frames per second, the ball's already gone.
You kind of forget he's Peter Jackson in a way because he's so normal; he's lovely. It's like having a friend direct you, except it's Peter Jackson.
I have no opinion on 48 frames a second at all. I'd be completely unsuitable to talk about that.
Everybody knows about Peter Jackson, 'The Hobbit' movies and 'The Lord of the Rings' films being made in New Zealand, and to actually have been part of it for such a long period, to live there and to have friends that I will have for life because of that experience, is an amazing thing.
I think Peter Jackson and Philippa Boyens have very carefully plotted 'The Hobbit' out so that it does feel like the starting point for 'The Lord of the Rings.'
In 'The Hobbit,' there were British, Irish, Australian and New Zealand actors, and Peter Jackson was adamant that we would all sound like we were from Britain somewhere.
The cinema is truth 24 frames-per-second.
Comics are essentially films with fewer frames per second.
I train to play 48 minutes per game or 48-plus when needed.
A picture story just doesn't run like a film. It doesn't have 24 frames per second. It doesn't deal with this illusion of movement.
What Peter Jackson proved with 'Lord Of The Rings' movies is that you could make various changes, and you could pull things around, but as long as it was in the spirit of the storytelling, and because he made The Shire so real, the fans forgave him for the changes.
Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames a second, darkness in between, the optic nerve incapable of registering darkness.
I think even back as far as 'Lord of the Rings,' there was always the chance that 'The Hobbit' would be made, even way back then. Of course at that point, Peter Jackson didn't probably think at that point that he'd be directing it.
When I wrote 'The Shadow Thief,' I had an obsession with Peter Pan. I get focused on things. In fact, I was an absolute horror to live with at that stage. I had a big fight with my mum because I wanted her to change the windows so Peter Pan could visit me.
Jean-Luc Godard said that cinema is the truth 24 frames a second. I think cinema is lies 24 frames a second.
This site uses cookies to ensure you get the best experience. More info...
Got it!