A Quote by David Cronenberg
I never thought I was doing the same thing as directors like John Carpenter, George Romero, and sometimes even Hitchcock, even though I've been sometimes compared to those other guys. We're after different game.
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When I say that George Eliot has long been my hero, I mean to include those aspects of her thought and temperament that have been disparaged or dismissed or ignored. She was, after all, a novelist who did not eschew politics or polemics - sometimes silently though defiantly, as in her relationship with George Henry Lewes.
Sometimes the shots serve as homages to other movies and other directors, like Hitchcock.
John Travolta said he sometimes lets his friends take control of his airplane even though they don't know what they're doing. Then Travolta said he often does the same thing with his career.
When you can make it this simple, though, just do the right thing. Even if you could get away with less. Even when other people are doing the wrong thing. Even though the wrong thing seems like no big deal.
Our day-to-day lives recording and touring aren't that different from those of Metallica, even though the perceived worldview is totally different. So that can be a difficult thing to reconcile sometimes.
The second album was like being on a completely different planet compared to when we were making the first album. ... Even though it was the same musicians, the same artist, the same studio, the same producer, - it felt like a completely different piece of a puzzle.
I do like to work with young directors because it's such a difficult business that I think after directors have been around a while sometimes, not always, but sometimes their passion gets siphoned off because they get hurt.
Sometimes I think getting your mind off the game and doing other things can make you even better. Everybody's different. You have to find out what works for you.
Sometimes things just happen. Sometimes surfing this bank from Snapper to Kirra, sometimes you don't even think what you're doing but you do it anyway ... You get to the end of a wave and go, what did I do? Sometimes you go into a totally different state of mind.
Of course, even if the directors like my ideas or the designs I do, they may end up changing the story so much, that those characters have to change, or get cut out altogether, and that's just the way it is. Sometimes the directors are designers themselves, or they want to work with a character designer who will do things in their own distinct way - sometimes the most important thing I do is figure out what they don't want to do, by experimenting. Either way, whether they use my ideas or not, I get paid, so it's all good.
I have never, in all my various travels, seen but two sorts of people I mean men and women, who always have been, and ever will be, the same. The same vices and the same follies have been the fruit of all ages, though sometimes under different names.
Your ideas dry up sometimes, and you get lazy sometimes 'cause you're around the same people. That was the good thing about having different directors. You had to stay on your toes.
The [George W.] Bush administration would go into court on any kind of a case that they thought might embarrass them and would argue that it was a state secret and the case should not be continued.[Barack] Obama is doing the same thing, even though he promised not to.
Sometimes people are layered like that. There's something totally different underneath than what's on the surface. But sometimes, there's a third, even deeper level, and that one is the same as the top surface one. Like with pie.
Sometimes they were together so often that it felt as though they really were a couple; sometimes weeks and months would go by before they saw each other. But even as alcoholics are drawn to the state liquor store after a stint on the wagon, they always came back to each other.
The sci-fi movies I grew up with, the metaphor was very rich, and they used to really mean something: David Cronenberg's films, or John Carpenter's films, or the Phil Kaufman and Don Segel versions of 'Invasion Of The Body Snatchers,' or George Romero's early zombie films.
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