A Quote by David Starkey

We really should stop taking historical novelists seriously as historians. The idea that they have authority is ludicrous. They are very good at imagining character: that's why the novels sell. They have no authority when it comes to the handling of historical sources. Full stop.
I believe that historians and analysts of historical events need the authority of facts supplied by living witnesses to the events, which they make their subject.
There are very few critics who have historical context or authority.
I feel very strongly that where the facts exist, a historical novelist should use them if they're writing about a person who really lived, because a lot of people come to history through historical novels. I did. And a lot of people want their history that way.
Believing things on authority only means believing them because you have been told them by someone you think trustworthy. Ninety-nine per cent of the things you believe are believed on authority... Every historical event in the world is believed on authority. None of us has seen the Norman Conquest or the defeat of the Armada.
My first book was a historical novel. I started writing in 1974. In those days, historical novels meant ladies with swelling bosoms on the cover. Basically, it meant historical romance. It was not respectable as a genre.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
When a new idea assaults the power of established authority, authority always screams out that morality has been affronted. It makes no difference if this idea is that the world is round or that women should vote or that the workers should control industry.
I believe that all novels, ... deal with character, and that it is to express character – not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
We have gotten away from this double aspect of either putting the character back into historical events or of making a historical event of his very life.
Some critics said, 'Hey, why are you writing historical novels?' I say they're not historical, they're contemporary, because people walking around who lived through this, even a little bit, they carry it inside. The contemporary isn't just what you can see now.
I write novels, mostly historical ones, and I try hard to keep them accurate as to historical facts, milieu and flavor.
The reason why the simpler sort are moved with authority, is the consciousness of their own ignorance; whereby it cometh to pass that having learned men in admiration, they rather fear to dislike them than know wherefore they should allow and follow their judgments. Contrariwise with them that are skilful authority is much more strong and forcible; because they only are able to discern how just cause there is why to some men's authority so much should be attributed.
As much as I care about historical context - I'm very eager to read a really great historical account.
I write on a very strict 2-hour-a-day schedule, and I really respond to structure and invented rules. So even if I'm finding out good information on a character, I will stop when I'm set to stop.
If you really stop resisting someone or stop judging them or stop being afraid of them or stop imagining they're going to do something negative they haven't done yet, it changes the energetic field, it changes the relationship, and that person - not always, but often - will shift their behavior because of what you've done.
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