A Quote by David Ayer
I'm a veteran, and I come from a family of veterans and people who served in that war. And the stories that I heard were a hell of a lot different than the movies that I was seeing, so I wanted to make a movie about the people that were really there.
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I'm a Veteran. I was in the Navy, in the submarine corps. I come from a military family. Both of my grandparents were in World War II and retired as officers. One fought in the Pacific and one fought in Europe. The whole family was in the war. I grew up exposed to it and hearing the stories, but the stories I heard weren't kind of the whole "Rah, rah, rah! We saved the world!" They were about the personal price and the emotional price.
I heard a statistic, and this one blew my mind, that 1 out of every 4 men in the church are involved in pornography. And yet, when was the last time you heard a pastor talk about pornography? ... Talk to people in law enforcement, and they will tell you that the great majority of sexual assaults were perpetrated by people that were looking at pornography and they wanted to make a reality what they were seeing in the pornography.
Now we're in a recession, and at war, so people want to see this chihuahua movie, The Fountain. To be told to come to terms with death, that death is the road to all - it's a very intense subject. But as with movies that are very unusual, that have come to be thought of as very interesting, one finds out at the time that they were not understood. So who knows? We'll see. A lot of people really, really loved it, and a lot of people didn't get it.
Most politicians - those people who live, eat and breathe politics - like to sit around and talk about politics and tell political war stories. Reagan didn't do that. His war stories were movie war stories and Hollywood war stories. He loved that.
A lot of the reason the Universal version of 'Heights' went away is that they were afraid they didn't have a big enough Latino star to bankroll this movie. The people I dealt with at the studio who wanted to make this movie were very passionate about it.
Hollywood so often likes to make movies that are just about itself. I felt there were a lot of stories that were yet to be told in the middle of the country, and I wanted to capture some of that beauty.
When I was growing up, all the films about teenagers were played by Tony Curtis or John Cassavetes when they were 27, 28 years old. We would see these teenage movies in the theaters and I would say, "They don't look like they're my age at all." So I wanted to make a movie that was real and I wanted to make a movie that wasn't about me.
The need for a non-veteran reserve became painfully obvious in the Korean war when many of the men who were being called to serve were World War II veterans participating in Ready Reserve units.
When I was a kid, I was watching the movies my parents wanted to watch. I came from a working class family, not specifically educated, so we were watching popular movies. My dad liked cowboy movies, so we were watching cowboy movies. Some of them were amazing. It’s a genre of movie I like very much.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for in a way. They wanted it to be something special. Also, none of us were really known then as well.
There is a healthy disrespect among veterans who served on the front lines for people who walk around telling war stories.
There were a lot of things in it that were important at the time to me. Cutter's Way movie was very relevant. And I wanted Cutter to succeed as a vet, as a guy coming back from 'Nam, because there were so many guys like that. And there were so many other movies at the time, like Apocalypse Now, Coming Home, and The Deer Hunter, that it was really important that the movie be believable, that I come across a pissed-off vet who'd been there and comes home angry.
If war was hell and only hell and there were no other colors in the palate I don't think people would continue to make war.
My brother-in-law, Chuck, whom I have known since we were teenagers, is a disabled veteran who was wounded while fighting with the marines in Vietnam. I've been around to observe how the war affected his life and the problems that veterans have, and I knew for a long time that I wanted to write a song about Vietnam.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
There's nothing more disheartening than seeing a movie and going oh, that doesn't work, or it didn't inspire us. Versus seeing a movie that is 'this is so awesome!'. Oftentimes, a really good movie just inspired you to go and make movies!
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