A Quote by Dave Schultz

I don't know that I'm a free spirit or anything like that. I just have my own way of doing things. That's the charm of wrestling. What works for you might not work for me. — © Dave Schultz
I don't know that I'm a free spirit or anything like that. I just have my own way of doing things. That's the charm of wrestling. What works for you might not work for me.
... I just feel impotent - I don't know which way to start or turn. You know what they say about a prophet in one's own country - well - in a way it works for me too: you see - this might be called my home town - well of all the old friends and acquaintances not one takes me seriously as a photographer - not one has asked me to show my work... (On returning to San Francisco)
Almost nothing works the first time it's attempted. Just because what you're doing does not seem to be working, doesn't mean it won't work. It just means that it might not work the way you're doing it.
Shouldn't "it works like a charm" be said about things that don't work?
... life is broken down into these stages: you're born and you don't know how anything works; gradually you find out how everything works; technology evolves and slowly there are a few things you can't work; at the end, you don't know how anything works.
You know when I think about what I'm doing - what I'm doing and the way I'm doing it is more important to me than any amount of money or anything like that because it's my artistic work.
The two sports are as different as Ping-Pong and rugby. In boxing, you don’t know what’s going to happen. In wrestling, it’s already prearranged. But the thing I didn’t know about wrestling is that you really get hurt. Because, you know, you’re wrestling in front of a live audience, and you end up doing things like jumps or slams, and 40 percent of the time you don’t land right.
Every singer has three or four or five techniques, and you can force them together in different combinations. Some of the techniques you discard along the way, and pick up others. But you do need them. It's just like anything. You have to know certain things about what you're doing that other people don't know. Singing has to do with techniques and how many you use at the same time. One alone doesn't work. There's no point to going over three. But you might interchange them whenever you feel like it. It's a bit like alchemy.
We know what works: freedom works. We know what's right: freedom is right. We know how to secure a more and just and prosperous life for man on earth: through free markets, free speech, free elections and the exercise of free will unhampered by the state.
For each person, they live their life and their truth and how it works for them, and that's just kind of how it works for me. I'm not good at doing whatever the other way is - it wouldn't work for me.
The surface below your feet is so special. It is not like a boxing ring, not like a wrestling mat, it's its own thing, and when I am there, I am floating, I am moving with total freedom, I am free. And when you know, when you just know you are going to win, like I do, there is no better feeling.
Reverse psychology is an awesome tool, I don't know if you guys know about it, but basically you can make someone think the opposite of what you believe, and that tricks them into doing something stupid. Works like a charm.
I'm always just trying to get the work done so that I can be free - like, with the sense that, like, the real me has no interest in this? I just gotta do it for my boss. But the catch is that I'm never free, I never finish the work, so I don't know who this freewheeling employee with extracurricular interests is.
I like the idea of going out with a woman and not doing anything, and just eating dinner and talking, and that's cool, too. So, someone might look at me and say, "No way, man. He's just banging strippers." And I do that, but not all the time.
I like doing everything - theater and film, radio and TV, comedy and tragedy. I love it all. And I've never really planned anything - I've always looked at my job in a rather simplistic way. It's like being a plumber. One day you might be fixing an early 20th century showerhead that requires real detailed work. The other day you might just be clearing a sewer. Both jobs are very different, but all the tools come out of the same box. That's the way I look at acting.
Music was my way out. School was the plan B, just in case music didn't work out. I didn't know it was gonna work out. I just felt like, 'If I'm doing these two things, something's going to get me up there. Something's going to make me successful.'
I suppose for me as an artist it wasn't always just about expressing my work; I really wanted, more than anything else, to contribute in some way to the culture that I was living in. It just seemed like a challenge to move it a little bit towards the way I thought it might be interesting to go.
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