A Quote by Gisele Bundchen
Because I had my family, I felt like I could be a bird and fly and experience and do. Because I had roots somewhere, I knew that they would love me no matter what, and I could always go back home and they were going to love me.
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As a child, the family that I had and the love I had from my two parents allowed me to go ahead and be more aggressive, to search and to take risks knowing that, if I failed, I could always come home to a family of love and support.
I would have done anything for him. Maybe that was my sickness. We made love in nothing places and turned the lights off. It felt like crying. We could not look at each other. It always had to be from behind. Like that first time. And I knew he wasn't thinking of me. He squeezed my sides so hard, and pushed so hard. Like he was trying to push me through to somewhere else. Why does anyone ever make love?
The family gave me everything, every advantage and just poured love on me. I always had more confidence than I should have. I felt like I could do anything because that was the way I was raised. I was an only child.
I always have been an entertainer, whether it's been joking or performing for people. And I always thought I had a talent, because I could rap and I could sing, and I did write. And all the other kids were going to college, but I just felt like I had to do this first, and if it didn't work, then I would go to college.
I could send myself right back to the day that I wrote "Angel Of The Morning," how it felt. I had a buzz through me that morning that was so powerful. I knew I had done something that meant something, because of that feeling. It wasn't a question of whether other people liked it ... I loved it. To me, it had to be one of the most important love stories of all time.
I've always had people around me who will love me for me, regardless of whether the football went well or if I'd have had to go down a different route. I've always felt that no matter where I've been or what I've been doing, I've always had that to fall back on, which is comforting.
My foster mother wanted to create a family home. For me, she had made a place that I felt I could always go back to, and that was what she was trying to do for these kids.
When I'd go to Israel, I felt like a tourist. My social and professional ties had started to dissolve, and it confused me. I didn't know whether I should stay here in Paris or go back to Israel, or even cut off all my ties with Israel so I could really plant roots here. Or maybe go somewhere else altogether.
The early days were really difficult because it was constant no's, I didn't have an agent. I always knew that I had something to offer, but it just felt like I could never get someone to give me a chance.
For me the very important thing was never to forget that they had no right to have me there, that my duty was to escape and that I needed to get back to my family and to my children no matter what. And that I could not accept to just see them as an authority, that I had to always keep in mind that I had to rebel and to keep my distance and to protect my soul because the core of the problem is dignity.
Coming to Australia, it was just really magical for me. It just had the wow factor of a different sort of place and, more so, just being with a family that wanted to love me and to have me, because I knew back then, before coming to Australia, there was no way of getting back home or finding my real family.
Before Hurricane Katrina, I always felt like I could come back home. And home was a real place, and also it had this mythical weight for me. Because of the way that Hurricane Katrina ripped everything away, it cast that idea in doubt.
Sitting in the movie theater watching "Star Wars," I've never had an experience with any form of entertainment that was like that. It was almost spiritual. I couldn't believe that someone's mind created that. And, right, it felt like George Lucas had a piano that was playing my emotions, and he could go ahead and do whatever he wanted and make me lean forward if he wanted, or he could make me go oh, or he could make me hide my face.
I had this notion that I could convince people who were skeptical of national Democrats to vote for me because I could bring home the bacon, or because I could find some personal pitch to them.
I knew that to find and to feel Yoav again would be terribly painful, because of what had become of him, and because of what I knew he could ignite in me, a vitality that was excruciating because like a flare it lit up the emptiness inside me and exposed what I always secretly knew about myself: how much time I'd spent being only partly alive, and how easily I'd accepted a lesser life.
The look he gave me...My stomach quivered in that exact same way when I watched Before Sunset, yearning for a guy to know me so deeply and truly, we were only really complete when we were together. That I could talk, go on wild tangents, make obtuse references, and he would divine my meaning before I knew what I was trying to say myself. Erik had fallen asleep next to me on the couch, complaining later that the movie was "just people talking." He had no idea that this movie could have been a love letter written for me.
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