A Quote by Iris Apfel
My mother knew if you bought a couple of really good architectural outfits and put your money into accessories, you could create a million different looks. She taught that to me, which I think was invaluable.
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My mother worshipped at the alter of accessories and I got the bug. She always said, if you have a good, little, simple black dress and you have different accessories, you can have 27 different outfits.
My mother gave me very good advice years ago. I grew up in the Great Depression and she always told me to get a good little basic black dress - well-cut, well-made, good fabric - and it could take me through everything. I could go to the office in the morning and stay out all day in the same dress. Just by changing accessories, because they are so transformative, you can make six different outfits. I find that very useful. My mother worshipped at the altar of accessories and I'm an accessory freak, as everybody knows. That, I got from my mother.
I think my mother taught me what not to do. She put us first, always, sometimes to the detriment of herself. She encouraged me not to do that. She'd say being a good mother isn't all about sacrificing; it's really investing and putting yourself higher on your priority list.
...fact was she knew more about them than she knew about herself, having never had the map to discover what she was like. Could she sing? (Was it nice to hear when she did?) Was she pretty? Was she a good friend? Could she have been a loving mother? A faithful wife? Have I got a sister and does she favor me? If my mother knew me would she like me? (140)
She looks sad. She looks angry. She looks different from everyone else I know—she cannot put on that happy face others wear when they know they are being watched. She doesn’t put on a face for me, which makes me trust her somehow.
My mother was a big influence; she was exceedingly chic, completely dressed in a completely different manner than I did. I was a child of the Depression, so she taught me all about accessories, and I always tell everybody she worships at the altar of the accessory.
Both of my parents are music teachers. My mother owns the school that I taught in. My brothers and sisters are musicans. My mom pushed me all the time. She knew that I could do it. She knew more than I did. She thought I would go somewhere. She gave me the job and helped me get equipment, which a lot of parents don't do. Alot of my students had to go out and fight for it.
Kate Moss. She looks good in anything. She would look good in one of your t-shirts, in her t-shirt, in a man's suit, in a huge gown. She looks amazing naked. She even makes nude look stylish. That, to me, is a style icon. She could put a barrel on and it would be some sort of statement.
Once, a friend’s mom said to me when I was very young 'You can't really invest in your looks as the only thing because it's a depreciating asset. I think this is trueit’s like putting money into a stock that’s going down. Put your money, put your effort, invest in your brain and talent which will appreciate and get better as you get older.
My mother loved fashion. She was a beauty and had enough sewing skills that she could re-create the looks in magazines. She also was enormously charismatic.
I knew my own mother had been in the theater for a while and had taught children, because she used to teach me the pieces that she taught them, but she did much more than that.
Between 1958 and 1963, I sold about 40 million records - to the shock of my mother and father because I was always playing Beethoven. But I bought my mother a mink stole. She was very happy, and she said, 'I think this is better than Beethoven.'
I think being raised by a single mother put me on the outside, and I would watch my mother's married friends and think, 'Why does she put him down in public?' or, 'Why is he so rude to her?' It seemed to me that there were very few marriages where the couple were genuinely in a supportive, loving partnership.
From a child, I knew I didn't have the face I wanted to have. My mother was a baroness. She was from Berlin; she was a silent movie actress and friends with Marlene Dietrich. So she knew all about film make-up and prosthetics and stuff like that and what they used to do in those days. And she taught me all that as a child.
I was not yet three years old when my mother determined to send one of my elder sisters to learn to read at a school for girls we call the Amigas. Affection, and mischief, caused me to follow her, and when I observed how she was being taught her lessons I was so inflamed with the desire to know how to read, that deceiving - for so I knew it to be - the mistress, I told her that my mother had meant for me to have lessons too. ... I learned so quickly that before my mother knew of it I could already read.
I'm very objective about what I want to have happen to my protagonists and where that has to come from. On one hand, it does help me that I had a mother who might have taken the last dollar and bought a pack of cigarettes or something, but I also had a mother who exposed me to art, music, other religions, different foods. My mother was very adventurous in her own way, so she fed the part of me that was going to grow up to be a writer. But there's always, too, the opposite response that helps me to create.
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