A Quote by Italo Calvino
A writer's work has to take account of many rhythms: Vulcan's and Mercury's, a message of urgency obtained by dint of patient and meticulous adjustments and an intuition so instantaneous that, when formulated, it acquires the finality of something that could never have been otherwise. But it is also the rhythm of time that passes with no other aim than to let feelings and thoughts settle down, mature, and shed all impatience or ephemeral contingency.
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It's the form it takes when it comes out the other side, of course, that gives a story something unique--its life. The story, in the way it has arrived at what it is on the page, has been something learned, by dint of the story's challenge and the work that rises to meet it--a process as uncharted for the writer as if it had never been attempted before.
There are two cardinal human sins out of which all others derive, deviate, and dissipate: impatience and lassitude (or perhaps nonchalance). On account of impatience they are driven out of paradise; on account of lassitude or nonchalance they do not return. Perhaps, however, only one main sense of sin is given: impatience. On account of impatience they are driven out, on account of impatience they do not turn back.
Throughout the ordeal, I learned that getting mad was easier than being sad. Anger was something I could control. I could settle into an easy rhythm of blame and hate. Focus my energy on something than the ache in my heart.
If you could have a famous writer, dead or alive, write an obituary for you and really puff you up to have been something you weren’t, perhaps, or otherwise take liberties with your memory, what writer would you choose?
Every time I sit down to write, I need to commit to a word count goal, otherwise I waste too much time editing and re-editing my previous work, staring dreamily off into space, pretending that I'm thinking profound, poetic thoughts when really I'm just thinking, 'Look at me being a writer! I'm so happy I'm a writer!'
Blaire, This teardrop represents many things. The tears I know you’ve shed over holding your mother’s piece of satin. The tears you’ve shed over each loss you’ve experienced. But it also represents the tears we’ve both shed as we’ve felt the little life inside you begin to move. The tears I’ve shed over the fact I’ve been given someone like you to love. I never imagined anyone like you Blaire. But every time I think about forever with you I’m humbled that you chose me. This is your something blue. I love you, Rush
Rhythms, beats, etc., are fundamentally central to my creative drive: my first instrument was the drums, nearly every band I have been involved in or at the helm of, is driven by rhythm, my band is driven entirely by rhythm, machine rhythm, and the purpose of the rock instrumentation is literally to speak the beats, to emulate the rhythms with guitars and bass, with very little articulation, and without being 'progressive'.
What makes me write is the rhythm of the world around me - the rhythms of the language, of course, but also of the land, the wind, the sky, other lives. Before the words comes the rhythm - that seems to me to be of the essence.
People think that they will sit down and produce the great American novel in one sitting. It doesn't work that way. This is a very patient and meticulous work, and you have to do it with joy and love for the process, not for the outcome.
Ideally, I'm also sending a message that everything passes, even hope, and sometimes you have to be patient while you wait for it to come back around again.
When you get quick fame and success and exposure, it makes you feel dizzy, and I didn't want to lose my balance 'cause that's something I've been struggling with for so many years. I'm not fond of the idea of making it in Hollywood. That's not my aim; otherwise, I would have settled down in Los Angeles.
Results are often obtained by impetuosity and daring which could never have been obtained by ordinary methods.
Maturity is the ability to harness your abilities and your energies and do more than is expected. The mature person refuses to settle for mediocrity. He/she would rather aim high and miss the mark than low-and make it.
There is so many things to do in life rather than playing tennis, so I'm sure I will find something. I just need a bit of time to kind of settle down.
Now, settle down, settle down. Hell, I'm an old man, it's early in the morning and I'm gathering my thoughts here.
I would tell startups to just keep your head down, keep building. Your contingency plan, if you have one, should be because you are still spending more than you make and you still don't have a line of sight for that J curve. That is the most important contingency. Because otherwise you are betraying that equation to your cofounders, to your investors, to your employees and to your customers.
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