A Quote by Jonas Akerlund
I've always been drawn to movies where I get a chance to look into a world that I kind of know about, but that I never really get to see what's happening behind the doors.
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You never know what's really happening behind closed doors. Everything isn't always what it seems.
I had been trying to make movies, but they were really hard to get made. TV wound up, by surprise, a much more fulfilling place to work. That said, I've always been drawn to make movies.
When people see what is happening in Gaza, that can't make you too fond of the perpetrators - the Israelis. If you are a Muslim and you look at what is happening there, it fills you with a lot of resentment. Especially if you are weak, then you are nursing these grudges and you are increasing in bitterness and look for a chance to get your own back.
You know, when you see yourself on a big screen, I tend to watch from behind my hands. There is absolutely the regret. You always get that at the end of every project. That's what's great about theater: at least every night you get the chance to go out and re-offend. I'm endlessly disappointed, which is what propels me into the next project, probably, not to repair the damage but to kind of hopefully keep developing. Otherwise there's no reason to keep doing it, is there?
But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
If you want to be an artist, go to every art gallery, if you want to be in movies, see movies! You have to participate in whichever world you're trying to enter! You have to know what's going on. You can be the best artist in the world but if you don't know one thing about which gallery to go to, you're never going to get it shown in the right place. Learn a little bit about the business of whichever art you're trying to get into. Without it, you will be lost.
For artists of my caliber, we're not played on the radio, so we don't really get a chance to get involved in that debate at all. We don't get a chance, because this weird kind of ageism exists in pop music. If you're past a certain age, you're not relevant. That's the kind of cliched term.
I'm not drawn to people that much unless there's a really serious energy happening, but I'll take a lot of pictures of trees, or I'm always staring at the ground. I'll see an oil stain that looks like something out of 'Lord of the Rings' or something, and that's what kind of calls to me... I'm drawn to that aspect of photography.
People see you on screen and they like you, but they never really get a chance to meet you. When you're doing music, you know you have to go sit at in-stores, and you're actually in the street, so there's more of a hands-on kind of thing.
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
You can measure films on box office success, or people lovin' the movie whenever they see it. That's what I measure my movies on. How much people love these movies after they get a chance to see them, no matter how they get a chance to see them.
I get a lot of comics, and I can look at a comic and tell immediately whether I'll enjoy it or not. There are elements in the stories that I have no rapport with. I see dirty language, I see sleazy backgrounds; I see it reflected in the movies, the movies are comics to me. And I don't see a sleazy world. I see hope. I see a positive world.
I'll never know what happens behind closed doors or why I don't get hired for things.
Marketing is about values. It's a complicated and noisy world, and we're not going to get a chance to get people to remember much about us. No company is. So we have to be really clear about what we want them to know about us.
I got my shot at the movies. I love doing standup live. I didn't know what I wanted to do. I wanted to try movies, so I gave it a shot. I had two shots and I didn't really do it. That wasn't really happening for me. On the second movie I got to meet the girl that would be my wife. So I got to hang out with her and get engaged, and get the whole wedding thing. It was really great.
Warner Bros. never really got behind the solo work. They always kind of drew a blank. I think they always were thinking, 'Well, this is nice, but let's get back to what's really important.'
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