A Quote by Yorgos Lanthimos
All the talented and smart actors, they get it: as soon as it comes out of their mouth, they know if it's right or wrong. If the writing has a particular voice, they get it, and they can hit it.
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As Mike Tyson says, everybody has a plan until they get hit in the mouth. The one thing we know about American presidential politics is you're going to get hit in the mouth.
If I am not right for something there are many talented actors out there that will get it.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
I do think I retired too soon. I just felt at that particular time in 2002, after winning a fifth world title belt, why not be one of the smart ones in boxing and get out.
When you get hit that's when you've got to be calm. A professional fighter has to learn how to hit and not get hit, and at the same time be exciting. That's what professional boxing is about. You've got to be clever, you've got to be smart, and not get hit, and when you're able to do this, you're a fighter.
Oh absolutely. I had the pleasure to get to know a lot of really talented young actors before they even really hit it big. And yet what we all had and shared in common was a love for movies.
I just try to see the ball and hit it. If I get a hit, I get a hit. If I get out, I get out. There's no secret about it.
One day, it hit me that music is my calling. I just started playing and writing music. How, I don't know. I just started doing it, and then this big voice came out of my mouth. And it felt like I was releasing something.
When anything is pointed out, our only idea is to go from wrong to right; in spite of the fact that it has taken us years to get to wrong we try to get right in a moment.
I'd say specifically after 'Get Smart,' people now know me either as The Guy from 'Get Smart' or 'She's Out of My League.' When that came out on DVD, everyone was recognizing me from that.
I think a lot of actors, maybe who have been on a hit show and been lucky enough to get successful, might say 'no' more than I do. And maybe that's good, maybe that's smart. I don't know.
Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.
Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to; you only need to get it right once.
I want to start recording and writing as soon as I can and get music that I love out as soon as possible.
I hope 'The Voice' has a fifteen-year run, don't get me wrong. But I come from nothing, and maybe it's the Irish in me, but my attitude is always like, 'They'll figure me out soon.'
I used to get made fun of in the minor leagues. I'd be 0 for 2, and then in my last at-bat I'd hit a chopper that wouldn't even reach the shortstop, and I'd get a hit out of it. The guys would be all over me, but a hit's a hit. I'll take 3,000 of 'em.
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