A Quote by Karan Johar

I simply can't do one-word message replies: Yes. Ok. No. Sure. Cool. None of these are options for me. I must write something extra. Something personal. I put kisses and emoticons. Emoticons, by the way, are my very best friends. They have removed all the pressure of thinking up something personal to say.
Get into something that's really personal that means something to you, where you have something to say and is something really individualized. I wish I was more aware of that when I started my career instead of doing a few things I was told would be good for me. And they weren't, because it left me empty, so I didn't do a good job anyways. I think that's what's key to what we do: It's got to be personal.
Definitely, there is a sense in my writing that people now know me in a personal way. And to an extent, that's true because I write about very personal things, and I use the personal often to contextualize some of these sociopolitical issues that we're dealing with. And to an extent, they're right. They know something about me.
It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music - my taste in chord progressions and melodies.
I write in spurts. I write when I have to because the pressure builds up and I feel enough confidence that something has matured in my head and I can write it down. But once something is really under way, I don't want to do anything else. I don't go out, much of the time I forget to eat, I sleep very little. It's a very undisciplined way of working and makes me not very prolific. But I'm too interested in many other things.
What I aspire to do, and what I try the hardest to do, is write stuff that's very personal in its way. I figure I can only say things the way I say them, so I'm trying to do something that is kind of anti-generic.
I think style is both something that you have naturally and something you need to study. The most important thing is to find your personal style, your personal difference and choose things that suit you best and bring out your personal attributes.
The difference between ordinary and extra-ordinary is so often just simply that little word - extra. And for me, I had always grown up with the belief that if someone succeeds it is because they are brilliant or talented or just better than me... and the more of these words I heard the smaller I always felt! But the truth is often very different... and for me to learn that ordinary me can achieve something extra-ordinary by giving that little bit extra, when everyone else gives up, meant the world to me and I really clung to it.
It's very counterintuitive to boil down something so personal, something that requires privacy. All of a sudden, you open it up to the world and put it in a context where you could easily trivialize what you've done. If people sense that discomfort, they're not wrong.
If someone stops me in the street, they might not want to say something to my face - maybe something about 'Emmerdale' or something personal towards me, good or bad. But on Twitter they are hiding behind their keyboard.
When you put up a personal post on social media, you are putting yourself out there because you are sharing something from your personal life.
I don't look for signs. But when things happen, I say, 'OK, something must be right.' Or 'OK, something must be wrong.'
Follow-up is personal. It must be done by someONE; not by someTHING. For it to be effective we must set the pace. We can't permanently sell something we don't make time to get into our lives.
Now the truth is, writing is a great way to deal with a lot of difficult emotional issues. It can be very therapeutic, but that's best done in your journal, or on your blog if you're an exhibitionist. Trying to put a bunch of *specific* stuff from your personal life into your story usually just isn't appropriate unless you're writing a memoir or a personal essay or something of the sort.
It's always a strange moment when you get up on stage because in a way that's really the fulfilment of what you do, but at the same time when you write from a place that's very personal and quite isolated, at least for me, there's something that almost doesn't feel natural about it.
People probably long for something genuinely personal in a society where the personal is often indistinguishable from the "personalized." Maybe the poetry audience member is searching for his or her own "personal space" and they expect the poet to be a sort of avatar of the private life. But that sort of representation is distasteful to me. Asking a poet to represent the personal life is, paradoxically, to turn the poet into something other than a person.
(Man, I wish life had emoticons, you know? So that when your dad pisses you off you could like click a mental button or something and just show him one of those rolleyes. That would rock) Anyway.
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