A Quote by Carmen Dell'Orefice
Being on the cover of 'Vogue' at 15 meant nothing to me. I never really understood what it was they were looking at, what they saw in me.
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Patrick Demarchelier was the one who got me my first Vogue cover. It was French Vogue - I think in ’87 or ’88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, "Oh, no. We’ve never had that before."
Patrick Demarchelier was the one who got me my first 'Vogue' cover. It was French 'Vogue' - I think in '87 or '88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, 'Oh, no. We've never had that before.'
Looking good kept me out of trouble. When I worked for Michael Alig, everybody was overdoing partying. It would take me so long to get ready, because I was never one of those girls that were naturally the cover of Vogue. I had to really work hard to look nice. I would take hours and hours to get ready. If you have high heels on, if you're dressed nice, you really can't be drunk or sloppy because it's dangerous. It's part of being a lady, so it really kept me out of trouble.
What you ain't never understood is that I ain't got nothing, don't own nothing, ain't never really wanted nothing that wasn't for you. There ain't nothing as precious to me...There ain't nothing worth holding on to, money, dreams, nothing else--
I was a swimmer growing up, which meant being in the pool at 5 a.m. You get used to it. You get up at 4:15 a.m.; my parents, who were amazing, they were up at 4:15 a.m. or earlier to drop me off at the pool and then go to work. I eventually stopped doing that, but the pattern remained. I like getting up really early. It feels like my time of day.
One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'
I really loved my dogs. Everyone laughs at me for it, but it's true. The time I spent with them, running, hunting, those were the happiest times of my life. They understood me. They were animals but they understood me far better than anyone in my family ever will. We shared something, we were the same. And they made me kill them.
I never really understood the game until I saw Cruyff's Barcelona play. The first time that happened it opened up a new world to me. I began to understand that football was a collective thing, and that association between players meant you could keep the ball the whole game.
The best advice I got really had nothing to do with singing; it came from my brother, who always told me to stick to my guns and to believe in myself. I think Duane saw my talents and believed in me long before I ever did, and that meant the world to me.
We always had 'Vogue' in our house. But, when I was around 12, my Mom finally took me seriously about modeling and put a stack of magazines in front of me, then told me to study all the poses. The ones I loved the most were in 'Vogue.
We always had 'Vogue' in our house. But, when I was around 12, my Mom finally took me seriously about modeling and put a stack of magazines in front of me, then told me to study all the poses. The ones I loved the most were in 'Vogue.'
I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.
I just never really understood the reason I understood movies so well, and I didn't realize that me being such a people-watcher was even a gift at all.
maybe she had become tired of being the girlfriend of a condemned man. It also occured to me that maybe she was sick, or dead. These things happen. [...] Anyway, after that, remembering Marie meant nothing to me. That seemed perfectly normal to me, since I understood very well that people would forget me when I was dead.
I saw Obama's thought process behind the few moments of free time he had and how he used them. So, I knew that him taking the time to call me meant he really cared and really deeply understood how upset I was. That's what made it so meaningful.
In 1990, when they asked me to shoot a cover for 'British Vogue' to convey my personal vision of a woman, I explained that I couldn't just photograph one single girl, because what I was looking for was a new purpose, and new feminine determination.
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