A Quote by Karthik Subbaraj
When I was watching 'Sivaji,' I had no clue I will be a filmmaker; I had not even started making short films at that time.
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Initially, when I'd heard of 'Teen Wolf,' I had never actually sat down to watch the series. But during my audition process, before I had a clue that I would even be considered, I started watching the show to get a feel for it and to see what type of show it was.
I had the Forrest Gump' DVD and started watching. While watching it, I had no intention of writing it. When I started watching it, I got some flashes that it can be adapted in Hindi. That's how it started.
I was frustrated because I couldn't get going, as I was trying to figure out how to make films. I had various jobs, I taught a SAT class, I was a bartender, I had a day job at an office and was making short films.
When I got to high school, they had a morning TV show you could become a part of, and I started making short films for that, most little satirical, laugh-y films about the dean of students being chased by a dinosaur or something like that. And I really just enjoyed it.
Well, going way back, when we were making short films, it was just the two of us. Literally, Anna had her little camcorder and I had the boom and we were making documentaries.
Even when I had three Hindi films happening at the same time, Tamil and Telugu will always be an important industry considering I started my career there.
The problem with working with a record label is they maybe a song I want to make a video for that they will refuse to make a video for because they don't see that song as a single. And I found that very frustrating. I realised what I was doing was making these short films for the blind. They were films and all you had to do was put some headphones on and close your eyes and listen to my voice and you'd be able to visualise the images that I'm putting into your brain. And so I started calling what I was doing 'films for the blind'.
The best thing about making films is the time spent making them. When I see works that I've made, I always think what a great time I had making them. The films remind me of that time.
When I left university I was sure that I was going to be a painter. Then I had a crisis, a revelation. I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial. I got married and started writing fiction. What was wonderful is that it gave me my freedom because no-one can tell me I can't work. Novels have become equally important to me as films. I consider myself a storyteller and passionately engaged in both of those disciplines.
With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.
Even I had a lull period in between when I was sitting at my home without work for a year and a half. There was a time when I did not know whether my film will be made or not. I had no clue back then, but I did not sit and complain.
I never had a desire to be a filmmaker. As a child and a teenager and in college, I was not aware of black women making films.
When I went to film school about three years ago, the first two years you're required to make a series of short films. I started making films based on short poems.
I'm a filmmaker and I intend to continue making films of all kinds, in any manner, shape, or form - short or long.
As a filmmaker, I've had films that over-achieved and I've had films that under-achieved. You always go in trying to do your very best.
A publisher friend of mine suggested that I write a book about my grandfather, who had just died. I had nothing else to fill my empty days with, so I started work on this book. While researching it - watching lots of movies, talking to moviemakers - I became interested in movies and started making documentaries.
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