A Quote by Karthik Subbaraj
I was doing it the amateur way, doing everything myself till 'Naalaya Iyakunar.' They said, 'You need crew members'; they insisted on having proper production values. So I learnt a lot about making films for that show.
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When I was making short films for the TV show 'Naalaya Iyakunar,' I wasn't just competing but making films that I could potentially show at international festivals.
On the set of 'Girlboss,' I had to keep introducing myself as the show runner - literally, 'Hi, I'm the boss' - to a lot of my crew. My first AD said, 'Why do you keep doing that?' I said, 'Because I get mistaken for an extra.'
My parents have let me do whatever I am interested in. Initially, they were apprehensive, but when they realised that filmmaking was my passion and that I was doing a good job with the short films and the recognition in 'Naalaya Iyakkunar' TV show, they supported and encouraged me.
When the Seinfeld show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. Thor is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.
When the 'Seinfeld' show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. 'Thor' is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.
I started off by doing everything myself, driving the truck, going to the woodshop, buying the wood, designing the furniture, cutting it out, making it myself, finishing it, polishing it, and delivering it, and writing the invoice and writing the letters, doing the books, doing the telephone bill and everything else like that.
We learnt a lot from doing Panto, actually back when we were still doing 'SMTV: Live.' We learnt how far we could push things and the show was all the better for that. I think that taught us you really have to know your audience because you could see how they would react to things.
I learnt a lot about myself, I learnt a lot about other people and the problems they have. If I was lucky enough to live to a hundred, how I will feel about two per cent of my life being that way, I don't know.
I show up and try, but I may have to ask myself if I need to wait and let myself regenerate and take a break. I know that this thing that makes the stories has to be treated gently. So sometimes I'll just stop and let the well fill up. With my work, sometimes I hate doing it, but I love having done it. The key is to keep doing it.
I would hate to think I am not an amature. An amateur is one who loves what he is doing. Very often, I'm afraid, the professional hates what he is doing. So, I'd rather be an amateur.
Becoming like Jesus is as much as about having a relaxed and joyful heart as it is about believing and doing the right thing, as much about proper energy as about proper truth.
I should have my own show by now. Yeah. How many damn sitcoms does Kelsey Grammer need? How many more stupid Housewives do they need throwing tables and limbs at each other. Yeah, I guess I need to take off my artificial leg and throw it at Vanderpump. I like doing live shows - it's just getting to them that's a hassle.Doing films is fun too ... a good film ... but there's a lot of waiting around.
I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.
I've lost perspective on what I'm doing. I think it's good for me to take a break and reassess why I'm doing it and how I'm doing it. And I think this is probably a good way to learn about that. I need a break from myself as much as I imagine the audience does.
Every honest researcher I know admits he's just a professional amateur. He's doing whatever he's doing for the first time. That makes him an amateur. He has sense enough to know that he's going to have a lot of trouble, so that makes him a professional.
What's nice about writing and making films is that being able to see a film from the outside - from the inception through production and then completion - just informs what you're doing when you're an actor. And when you're an actor, it informs the decisions you make when you're making a film. It's using two different sides of your personality.
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