A Quote by Quentin Tarantino

I don't believe in putting in music as a band aid to get you over some rough parts or bad film making. If it's there it's got to add to it or take it to another level. — © Quentin Tarantino
I don't believe in putting in music as a band aid to get you over some rough parts or bad film making. If it's there it's got to add to it or take it to another level.
Youths write me and tell me that their band will go nowhere because of all the bad bands in the world. I tell them there has always been awful music and that no great band ever wasted any time complaining, they just got it done. Their ropey ranting is just a way to get out of the hard work of making music that will do some lasting damage.
If you're an evil company who's casting minorities to be in your commercial to get the politically correct card, it's like putting a band-aid over a bigger problem. But I think it's an incredible start.
I lay on the ground, but then I can't reach - I don't want to take my foot out of the tub - but I've got to call somebody because I've got to get a band-aid or something to stop the bleeding.
When you're editing the film, you use a temp track. So you're putting music in there for a rough cut to keep track of what's going on. It can be a hindrance if wrong, it can be an enormous asset if you get it right.
Most guitar players get a name because the band that they're in has become popular. That doesn't mean that they're particularly good, whereas conversely, you've got people like Albert Lee, an incredible player, one of my favourites who's not in a famous band, so he doesn't get into the popularity polls. I have to laugh at some of the people that do get into the popularity polls - some of them are so bad, but they're in a band that's at the top of the hit parade. I think people mix that up.
Whether you're driving it short or you drive it far, you got to be in the fairway because the rough's brutal, and if you get out of the rough into some of these bunkers, you can get some funky lies.
I was playing in a band and was approached to score an independent film. I had never done it, but had written instrumental music, so I figured I could do it. Turns out I loved scoring the film, and took on another couple films before realizing that if I was to be an effective narrative composer, I should study the craft of composition. I stopped taking projects and got a degree in orchestral music composition, and followed that with film scoring studies. Near the end of my degree studies, I started taking on student films as a way to get back into film scoring.
The nature of music fandom and music fans is that, very often, they fall in love with a band or a particular artist, and they really would like... I'm talking generally; that's not everyone. But a vast majority of the fan base would prefer the band to keep making the same record and the same style of music over and over again.
To shoot a conventional film means that you are always covering yourself. You are putting nets and, in a way, letting bad decisions take over.
Not even the creators of 'Rock Band' could possibly believe that playing the game is tantamount to making your own music. There is, however, a sad similarity between 'Rock Band' and some actual bands, and that is the attempt at realness.
I believe a band has to evolve rather than making the same album over and over again, because if you do, sooner or later people are going to get tired of you.
Producing is getting the performances, tracking it, making sure all the parts are there. Mixing is when you take the finished work, and you make sure all the levels are right. It's putting all the parts together.
But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirely. There is a part of her greater than the sum of her knowable parts. And that part has to go somewhere, because it cannot be destroyed
Legal aid gets a bad press. Some rail against handing taxpayers' money to criminals; others attack fat cat lawyers, while some argue that we spend far more on legal aid than other countries. But let's get some facts straight: saying that legal aid is just about criminals is wrong - most goes to people before any decision is taken on their guilt.
I am one hundred percent dedicated to Hellyeah. I love what I do in this band. I'm really proud of this band. Everybody in this band is such a special person, and the music that we make together, I really believe, is very special and the next level in my life.
I don’t have a theoretical language for music. I’m really inspired by sculpture, so I like to say, ‘you’re not making music, you’re creating a space. You’re building a room, putting some objects in it, and seeing what happens to the objects over time.’
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