A Quote by Quentin Tarantino
I'm very much a man of the moment. I can think about an idea for a year, two years, even four years all right, but what ever is going on with me the moment I write is gonna work it's way into the piece.
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I do hope some of my work has a long lifetime. A piece that works out well this year may work out very well in twenty years' time as well, but I'm very much thinking about what's the right piece now, at this moment.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
I never in a million years thought I would be starring in Hairspray, ever. Because if you think about my past, it's been 30 years of playing a macho leading man, so when I was offered it, I said: "Why? Why me? What have I done to deserve that you think I should do this?" After much convincing, over a year and two months, I was convinced they wanted to make a great movie.
I live for the moment. I'm basically a Buddhist-type person. I'm just here right now, and I don't think about what's going to happen a hundred years from now. I try to concentrate on what's going on right now. But I'm really trying to run this company like it is going to be here a hundred years from now. That's what's important.
I did go to Beijing, with a two-year assignment. I stayed four years. And those four years were the most formative four years in my life. What I learned was more than I would have learned in 10 years in America or Europe, and I wouldn't trade it for anything.
A career is measured over the course of the years, not moments. Over good decisions, over successes, not moments, failures, missteps, or bad comments. I learned that I needed to take a step back and look at my career not in that one moment that made me feel really bad, but what I had done not even in the past one or two years or last one or two hires, but that that career is built over many, many, many, many successive quarters and years and good decisions - never, ever made in that one moment where you felt really bad.
For the Patriots, you can be a cheerleader for four years. They can be four consecutive years. You can do two years and take a break, and then come back for two more years. I've actually only completed two years, two seasons with the Patriots cheerleading team.
I'm going with the flow. I feel when the time is right to stop, it will be flashing in neon lights for me, like this is it. It could be this year, it could be next year, I have no idea. Anyone in their profession seems to think it's fairly clear when it's the right time. I haven't had that moment of clarity.
It's a very organic kind of way that people are discovering it, by word of mouth, which I always think is the best way for things to grow. In terms of the affect it's been having on me, I don't even notice that. It's lovely to be able to talk about a piece of work that you're very proud of, that I think's a complex piece of work and not superficial and has depth to it.
I'm one of those people who lives for the moment. If you concern yourself with what's going to happen a year from now, or five years from now, you defuse the moment. Whatever comes, comes. For this time I enjoy the ascent. I don't worry about anything except getting thinner thighs.
'Lucky Man' I wrote when I was twelve years old. I wrote it when I first was given a guitar by my mother. I only knew four chords, but I used them all to write that song. And it just stayed with me, stayed in my head. I didn't even write it on a piece of paper. I remembered it.
I never thought in a million years that I'd ever sell out back-to-back shows at The Garden. That's not to say, I never expected my career to take off. Still, it was a "Pinch Me, Wake Me Up" moment. I was like, "Wow! I can't believe this. That I'm actually here, and this is actually happening." And in that moment, when I was about to thank my fans for supporting me, I noticed that they were standing up clapping. It was overwhelming, and became a very emotional moment when I tried to thank them.
I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.
When people ask me now about why I make art, I think that's what I'm seeking - a moment of transcendence with a piece. Because otherwise you're just in the hustle, you're trying to pay your bills, to do this and that, and then there's that unique moment, when you're not thinking about the market, or if it's going to sell, and all of that bullshit.
The moment a student blinks his eye, he's already way off. The moment he tries to think, he's already differed. The moment he arouses a thought, he's already deviated. But for the man who understands, it's always right there before his eyes.
From the beginning... I wanted to build a company that could sustain not for two years or four years or even ten years but be something that really matters over time the way Amazon and Google and others have.
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