A Quote by Kevin Young

I think poems return us to that place of mud and dirt and earth, sun and rain. — © Kevin Young
I think poems return us to that place of mud and dirt and earth, sun and rain.
Mud and rain and wretchedness and blood. Why should jolly soldier-boys complain? God made these before the roofless Flood - Mud and rain.
God's love is just like the sun, constant and shining for us all. And just as the earth rotates around the sun, it is the natural order for us to move away for a season, and then to return closer, but always within the appropriate time.
The time is right to mix sentences with dirt and the sun with punctuation and rain with verbs.
We who are left, how shall we look again Happily on the sun or feel the rain Without remembering how they who went Ungrudgingly and spent Their lives for us loved, too, the sun and rain?
The way I see it, the difference between farmers and suburbanites is the difference in the way we feel about dirt. To them, the earth is something to be respected and preserved, but dirt gets no respect. A farmer likes dirt. Suburbanites like to get rid of it. Dirt is the working layer of earth, and dealing with dirt is as much a part of farm life as dealing with manure. Neither is user-friendly but both are necessary.
Space is dark but, of course, when we're on the sun side of the Earth, we're in full illumination and we have all the reflection of the Earth below us, beautiful blue Earth and we're in daylight. Only on the back side, opposite side of the sun, it seems like night to us, too.
I cry when I work in the garden, because the Sun, the rain, the wind and the Earth all work together to make us food and flowers. It just blows me away.
In the beginning, God created the earth, and he looked upon it in his cosmic loneliness. And God said, "Let Us make living creatures out of mud, so the mud can see what We have done." And God created every living creature that now moveth, and one was man. Mud as man alone could speak. God leaned close to mud as man sat, looked around, and spoke. "What is the purpose of all this?" he asked politely. "Everything must have a purpose?" asked God. "Certainly," said man. "Then I leave it to you to think of one for all this," said God. And He went away.
Still, the vivid green of the grass-where the grass is actually managing to assert itself through the dirt-seems out of place. This seems like a place where the sun should never shine: a place on the edge, at the limit, a place completely removed from time and happiness and life.
The Sun after the rain is much beautiful than the Sun before the rain!
I never yet knew the sun to be knocked down and rolled through a mud-puddle; he comes out honor-bright from behind every storm. Let us then take sides with the sun, seeing we have so much leisure.
Dirt's a funny thing,' the Boss said. 'Come to think of it, there ain't a thing but dirt on this green God's globe except what's under water, and that's dirt too. It's dirt makes the grass grow. A diamond ain't a thing in the world but a piece of dirt that got awful hot. And God-a-Mighty picked up a handful of dirt and blew on it and made you and me and George Washington and mankind blessed in faculty and apprehension. It all depends on what you do with the dirt. That right?
My favorite weather pattern happens to be when it rains mud. Dust comes through. Rain on top of it. It rains mud.
If the sun warms up the rain, and the rain puts out the sun. Why does the greatest love become the greatest pain?
If we can abstract pathogenicity and hygiene from our notion of dirt, we are left with the old definition of dirt as matter out of place. This is a very suggestive approach. It implies two conditions: a set of ordered relations and a contrevention of that order. Dirt then, is never a unique, isolated event. Where there is dirt there is a system. Dirt is the by-product of a systematic ordering and classification of matter, in so far as ordering involves rejecting inappropriate elements.
Lily Brown writes with and against things in poems that are coiled up tight as springs (or snakes). A believer in the power of the line, she writes, 'I think the plastics/and sink them' then 'Where is the sand/man hiding the dirt.' These terse, biting poems will make you look around and wonder.
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