A Quote by Casey Neistat

The reason why I'm sending my super-intellectual 12-year old kid to tech school is because I don't believe he would succeed in this world unless he first learned to work with his hands.
When a baby comes into the world, its hands are clenched, right? Like this?" He made a fist. "Why? Because a baby not knowing any better, wants to grab everything, to say the whole world is mine. But when an old person dies, how does he do so? With his hands open. Why? Because he has learned his lesson." "What lesson?" I asked. He stretched open his empty fingers. "We can take nothing with us.
I went to work at 11 years old. I became governor. It's not a big deal. Work doesn't hurt anybody. I'm all for not allowing a 12-year-old to work 40 hours. But a 12-year-old working eight to 10 hours a week or a 14-year-old working 12 to 15 hours a week is not bad.
Rick Santorum said this week that his 12-year-old could out-reason me about God. Look, I am not about to debate a home-schooled 12-year-old. I have enough trouble with Sarah Palin.
I was a completely normal kid, the school nerd. In Year 8 and 9 I got picked on. I was a freak- no one understood me. I was the kid who wanted to be abducted by ET. Then all the losers left in Year 10. But I was quite good at school, and very artistic. In Year 11 it turned around. I became one of the coolest kids in school. I was in school musicals- the kid who could sing. It was bizzare. I loved school. It's an amazing little world. The rules inside the school are different from the outside world.
The App Store has democratized the creation of content. As a 12-year-old kid, I was able to put my application on the store. No one knows who's behind the screen so you can't tell I'm a 12-year-old.
The App Store has democratized the creation of content. As a 12-year-old kid, I was able to put my application on the store. No one knows whos behind the screen so you cant tell Im a 12-year-old.
I think my shows can draw an audience of 12 million because I ask, 'What can make a 7-year-old, a 17-year-old, a 30-year-old and a 77-year-old laugh?'
I haven't changed my views much since I was about 12, really, I've just got a 12-year-old mentality.When I was in school I had a brother who was into Kerouac and he gave me On The Road to read when I was 12 years old. That's still been a big influence.
I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.
The first year at Juilliard is, I think, the best. And partly why I left - I only went one year. Partly why I felt okay leaving is that the most important elements, I believe, happen in the first year. What they do is they tear down all your conceptions of acting, and they take away all your tricks that you've learned.
If I were involved with the NBA, I wouldn't want a 19-year-old or a 20-year-old kid to bring into all the travel and all the problems that exist in the NBA. I would want a much more mature kid. I would want a kid that maybe I've been watching on another team, and now he's 21, 22 years old instead of 18 or 19, and I might trade for that kid.
I failed my 11-plus and ended up working in a factory after I left school. But then I passed my audition on 'New Faces' and I was on the telly. Suddenly, I was living in London, and sending my parents money that they could never have imagined. It was a massive thing for me; I was a 17-year-old kid who was able to support his family!
The reason I went to an all-boys Catholic school was because they had the best football team. We won the state championship my junior year. It was super-competitive. We lost in the semifinals my senior year, and it still haunts me.
I think when you have a National Championship Game, a Super Bowl, a Final Four, a World Series, I don't see why there is any reason to pick out one individual as the MVP because it is about a team winning a championship. Maybe that best explains what I believe in at the core in my work as a broadcaster.
At the end of the day, I think that I'm making music for me as that 12-year-old kid in front of my boombox every day. I try to think about, if I'm that little kid, what would he like?
We are all forever a work in progress. I mean, that is the truth. You are forever in your whole life a work in progress, and forever there is a 12-year-old that's driving in to work with you every day. And you are still on the school playground and you are still whatever it is in college or you are still wondering why someone didn't return your call or ask you out.
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