A Quote by Kellyanne Conway

I just turned 50. 50's like the new 49 and nothing better, let me tell you. — © Kellyanne Conway
I just turned 50. 50's like the new 49 and nothing better, let me tell you.
People say, 'Grimm, you've been shot like 50. So why don't you just rhyme like 50? Then, you could get the money like 50, Otherwise, before you see success...you'll be 50.'
Someone asked me recently if marriage is 50-50 - it averages out to be 50-50, but sometimes it's 75-25, sometimes it's 90-10. In the end, it has to average out to be 50-50; that's how you support each other.
Electricity transmission operates on a frequency between 49.7 Hertz and 50.2 Hertz. What I have done is petitioned the Central Electricity Regulatory Commission and squeezed this band to now 49.9 Hertz to 50.1 Hertz. This will contain volatility.
Beyond racing, I just love the art form of running, of conceiving new ideas like the 50 Marathons in 50 States in 50 Days. It's the ultimate expression of what I love to do, which is run, and travel, and see this great country.
Right now, you hear about teamwork, and it's defined as 50-50, and that is a falsehood. There's no such thing as 50-50. You know, you do whatever you have to do as part of the team.
Whitney won't ever even know what it's like to be 50. Whitney will never know what it's like to be 50. She died before she was 50. So there's nothing to be ashamed of. You should be proud of your age.
Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'
The press still thinks [global warming] is controversial. So they find the 1% of the scientists and put them up as if they're 50% of the research results. You in the public would have no idea that this is basically a done deal and that we're on to other problems, because the journalists are trying to give it a 50/50 story. It's not a 50/50 story. It's not. Period.
I have a place in New England. It's in the middle of nowhere, like horror movie style - Stephen King-ville. It's a good kind of retreat for me to regroup my thoughts and work. I split time: 50 percent there, 50 percent in New York
As far as the mechanics of how the music was made, there's no denying: Endtroducing was extremely simple. That's not to denigrate it - that doesn't mean I'm knocking it or I'm saying my new stuff is better, or anything like that: it just means, I literally had, what, 12.5 seconds of stereo sampling at my disposal, and some turntable overdubs... The nature of the beast back then was probably about 50% looping and 50% chopping, and that was what you could do with samples.
The 50-50-90 rule: Anytime you have a 50-50 chance of getting something right, there's a 90% probability you'll get it wrong.
When I turned 50, I said to myself, well, if this is what it's like turning 50, I can't wait to turn 60 because I still felt very, very mentally and physically good, outside my back surgery.
I was actually shooting 'Warm Bodies' on the day that '50/50' came out, which I don't recommend to other filmmakers because I was sort of a wreck. Actually, it was good for me, because I had work to do, so I couldn't obsess all day and be checking how '50/50' was doing!
I just love the fact that all my pals are basically looked after. You know, we have these amazing deals, these guys split 50 percent. We have ownership 50 percent, all the bonuses 50 percent, and everybody's going to be alright. So going forward into the future, every one of these Millarworld projects, as we call them, 50 percent partners on everything. So it's just a really happy environment to be working in.
There's nothing balanced about the 50 percent run, 50 percent pass because that's 50 percent stupid.
So many people ask me, 'Do you like 'Departed?' I say, '50/50.'
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