A Quote by Ken Stott

Producers and directors think they have the power, but what they think of as the weakest link, the actor, is all-powerful. — © Ken Stott
Producers and directors think they have the power, but what they think of as the weakest link, the actor, is all-powerful.
I've had knee trouble, and I worry about my shoulder, but I think my weakest link is my head. A helmet can only do so much, and I have seen the effects of brain injuries. That is a big fear. I think everyone's weakest link is their brain because it's their most fragile link.
Everybody's trying to hold onto some shred of dignity in the process of it all, and, at the same time, never talking about how they don't have the power. No one has the power. So, you know, producers - we always think, "Well, producers are very powerful," but producers don't really have the power.
What the Snowden scenario proved is that the weakest link is not the technology, the weakest link is the individual; we shouldn't kid ourselves.
Producers - we always think, "Well, producers are very powerful," but producers don't really have the power. It's the appearance they might, but they don't. Even the actors don't. Even the studio heads don't, because they're beholden to this corporation and what the corporation wants. So no one really has the power, and everybody's trying to get through the day, and everybody's nervous and desperate.
I like to think of myself as a fairly educated human being, but I'm a very uneducated actor when it comes to movies, directors, producers, actors for that matter.
I really do think you lose the audition on the first ten seconds. I think you walk in, the casting directors and the producers and the directors have a real definite feeling of what they're going for, and if you don't look like it, it's pretty much done. Your acting is basically a bonus.
If a nation's security is only as strong as its weakest link, then America may be in serious trouble. Hawaii may be our weakest link and could have a serious impact on our nation's immigration policy.
It's dangerous for one actor to advise another one, especially when you're not in charge. On the set, I'm never gonna tell another person, "Here's what I think you should do." That's a discussion they should only have with the writers, producers, and directors.
To judge a man by his weakest link or deed is like judging the power of the ocean by one wave.
I think the kind of togetherness and understanding between music directors and singers, and between producers and directors, is not the same anymore. Now, it's all too professional.
You have been told that, even like a chain, you are as weak as your weakest link. This is but half the truth. You are also as strong as your strongest link. To measure you by your smallest deed is to reckon the power of ocean by the frailty of its foam. To judge you by your failures is to cast blame upon the seasons for their inconstancy.
I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
This is the power of the powerful to define, to structure, to say, 'This is the way the world works.' It's enormous power. Among the powers of the weak, I think the first one is the power not to believe the powerful.
Relative to the power that movie stars have, and producers and directors, I would say that even the most respected screenwriters have very little power in Hollywood. I don't think it's in the nature of the writer's profession to go after that power. Writers spend their time alone, hallucinating, writing, making these things up, while these other people are out schmoozing, making connections, meeting each other. They are trotting the corridors of power and making sure they've put their own imprints in it. And they're promoting themselves and their images, as they should.
When people think of diversity, they think people of color, but it also means women, who are severely underrepresented as directors, writers and producers.
As an actor, you're in the hands of producers and directors. It's important to find out who you're working with.
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