A Quote by Clive Lewis

The only time that Labour has convincingly come from opposition to win has been in 1997 in the post-war period. And to do that we had to tack quite substantially to the right.
The success of the arts has come through a mix of public subsidy, substantial private support, and good box-office receipts, but central to Labour's post-1997 programme has been a determination to increase access as much as excellence.
We started America with the sin of slavery that led right into the post-reconstruction period which was the greatest period of domestic terrorism in our country's history. Then after that, we had Jim Crow emerge and just when the Jim Crow laws were ending came the onslaught of the drug war. Well, the drug war has so perniciously effected, insidiously infected communities of color that in some ways it has come full circle, and we now have more African Americans under criminal supervision than all of the slaves in 1865. This is a profoundly unjust war.
The right hon. Gentleman will be known for ever as the only Chancellor in the post-war period who brought this country to the brink of bankruptcy.
In that period, we had the Cold War mentality imbued through us - the Post-war [environment] and the Cold War. I think we were reflecting some of that. This was before the Wall collapsed, etc.
A particular type of film emerged from World War Two, with the Italian neorealist school. It was perfectly right for its time, which was as exceptional as the reality around us. Our major interest focused on that and on how we could relate to it. Later, when the situation normalized and post-war life returned to what it had been in peacetime, it became important to see the intimate, interior consequences of all that had happened.
Ultimately, Boris Johnson and the political and financial support behind his Brexit project are probably the biggest threat to both British democracy and the post-war welfare state settlement we've faced in the post-war period.
'Collaborator' is a hostage tragicomedy, but it's also, kind of, everything I know about post-war America. Well, not everything, but it does reference a lot of the post-war period.
If women had never been given the right to vote, then Labour would have won every election after the war.
I was very lucky, I was part of the post-war period when everything had to be redone.
Even though we were influenced by American culture and music, we like the rest of Europe have been colonized with that in the post-war period. At the same time there's a sense of dirty earthiness and Europeanness and Britishness in it as well.
You look at the challenges that have been put in front of me as a cricketer over a period of time. There have been quite a few. I'd like to think I've come through most of them.
"Yield" was completed in 1997 and released in 1998. In the spring of 1997, I had made a decision to stop taking medications that I had been taking daily since 1988.
'Yield' was completed in 1997 and released in 1998. In the spring of 1997, I had made a decision to stop taking medications that I had been taking daily since 1988.
Born in 1936, I experienced the Second World War as a child in the city of Gelsenkirchen-Buer. This area was heavily bombed, but fortunately, all members of my family survived the war and post-war period.
I opposed the Suez war, I opposed the Falklands war. I opposed the Libyan bombing and I opposed the Gulf war and I never believed that any of those principled arguments lost a single vote - indeed, I think they gained support though that was not why you did it. What has been lacking in Labour politics over a long period is a principled stand
What bin Laden had hoped to achieve in Afghanistan in the post-9/11 period, which was to drag the United States into a protracted guerrilla war like the one he had fought against the Soviets, never happened. Instead, that protracted guerrilla war is now playing out in Iraq, in the heart of the Middle East.
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