A Quote by Clarence John Laughlin
There is nothing, under present conditions, that can be more easily and exactly reproduced than a technically good black-and-white photograph, and it is utter rot to burden those interested in them with irrelevant biographical trivia and pet longwinded theory.
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[T]he theory of output as a whole, which is what the following book purports to provide, is much more easily adapted to the conditions of a totalitarian state, than is the theory of production and distribution of a given output produced under the conditions of free competition and a large measure of laissez-faire.
Black and white means photography to me. It's much easier to take a good color photograph, but you can get more drama into a black and white one.
I believe that the black-and-white photograph, or rather the gray zones in the black-and-white photograph, stand for this territory that is located between life and death.
When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed: 'Everything which we loved is lost. We are in a desert .... Before us is nothing but a black square on a white background!'
We're going to see more, and we are seeing more, and I'll tell you exactly why. Not because white and black are more likely to get together. Only a third of the seven percent of congregations that are interracial are black and white.
I'll probably take the prize for the most irrelevant degree. Although some of the things now where they study, you know: "post feministic colonial film theory" - those kind of majors, yeah, that's probably worse. But I was, you know, classics, Greek and Latin, like what's more irrelevant than dead languages, you know?
Everything always looked better in black and white. Everything always looked as if it were the first time; there's always more people in a black and white photograph. It just makes it seem that there were more people at a gig, more people at a football match, than with colour photography. Everything looks more exciting.
The first photograph I ever experienced consciously is a picture of my mother from before she gave birth to me. Unfortunately, it's a black-and-white photograph, which means that many of the details have been lost, turning into nothing but gray shapes.
When you photograph people in color you photograph their clothes. When you photograph people in black and white, you photograph their soul!
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Nothing has done more to render modern economic theory a sterile and irrelevant exercise in autoeroticism than its practitioners’ obsession with mathematical, general-equilibrium models.
The great thing about getting older is that you become more mellow. Things aren't as black and white, and you become much more tolerant. You can see the good in things much more easily rather than getting enraged as you used to do when you were young.
Technically I feel total fluidity in writing. I feel there's nothing technically that I can't do the way a certain sort of pianist feels that. But that doesn't mean it comes easily. It doesn't.
The standard chunk of Lorem Ipsum used since the 1500s is reproduced below for those interested. Sections 1.10.32 and 1.10.33 from "de Finibus Bonorum et Malorum" by Cicero are also reproduced in their exact original form, accompanied by English versions from the 1914 translation by H. Rackham.
Science is nothing more than a method of inquiry. The method says an assertion is valid - and will be universally accepted - only if it can be reproduced by others, and thereby independently verified. The impersonal rigor of the method has produced enormously powerful results for 400 years. The scientific method is utterly apolitical. A truth in science is verifiable whether you are black or white, male or female, old or young. It’s verifiable whether you know the experimenter, or whether you don’t.
But that is the way of the place: down our many twisting corridors, one encounters story after story, some heroic, some villainous, some true, some false, some funny, some tragic, and all of them combining to form the mystical, undefinable entity we call the school. Not exactly the building, not exactly the faculty or the students or the alumni - more than all those things but also less, a paradox, an order, a mystery, a monster, an utter joy.
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