A Quote by Kriti Kharbanda
I think objectifying women is not wrong if only her beauty is captured in an aesthetic manner.
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In the South, there is a celebrated Telugu film director name Raghavendra Rao, who is known for shooting women's mid-riff in a certain manner. They are done in a very aesthetic manner and doesn't look vulgar. Now, it is up to the audience how they are going to watch it. As long as the girl is comfortable acting in it, I see nothing wrong.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.
There is a thing about beauty. Beauty is always associated with the male fantasy of what the female body is. I don’t think there is anything wrong with beauty. It’s just what women think is beautiful can be different. And there can be a beauty in individualism. If there is a wart or a scar, this can be beautiful, in a sense, when you paint it.
Aesthetic racism is almost always a sign of inexperience. Those who have not made their way far enough into the world of amorous delights judge women only by what can be seen. But those who really know women understand that the eye reveals only a minute fraction of what a woman can offer us. When God bade mankind be fruitful and multiply, Doctor, He was thinking of the ugly as well as of the beautiful. I am convinced I might add, that the aesthetic criterion does not come from God but from the devil. In paradise no distinction was made between ugliness and beauty.
Famously, Anne Boleyn was not a beauty: she was more about quirkiness and an innate sensuality, and there are a lot of references to her eyes. Which sends out a great message for women, because life is not about the aesthetic all the time.
We commit not only theoretical error but also moral wrong in objectifying ourselves or other rational beings, ignoring their capacities for free action and communicative interaction with us.
Playing the sex object may not be dangerous for Miley Cyrus, with her bodyguards to protect her, but for a 13-year-old girl hanging out at a party at night, it can be. So I think it's fair to say to musicians: "Objectifying yourself is not the best choice."
Beauty is the main positive form of the aesthetic assimilation of reality, in which aesthetic ideal finds it direct expression.
When I think about 1999, I think about being a 19-year-old kid, and I think about my attitude and behavior just toward women with respect objectifying them.
Our culture hasn't stopped objectifying women. We - men and women both - are just getting better at pretending it's not happening.
When women are relegated to moods, mannerisms, and contours that conform to a single ideal of beauty and behavior, they are captured in both body and soul, and are no longer free.
You look at women at the Republican convention and women at the Democratic convention. Republicans have a certain aesthetic beauty that involves more makeup, bigger hair, more lurid outfits.
Some women are to be captured by storm and some taken by siege; yet if there be not a traitor in her heart that shall deliver up the garrison, thou shalt not prevail over her.
Without an allegiance to beauty, art degenerates into a caricature of itself. It is beauty that animates aesthetic experience, making it so seductive; but aesthetic experience itself degenerates into a kind of fetish or idol if it is held up as an end in itself, untested by the rest of life.
A coquette is one that is never to be persuaded out of the passion she has to please, nor out of a good opinion of her own beauty: time and years she regards as things that only wrinkle and decay other women, forgetting that age is written in the face, and that the same dress which became her when she was young now only makes her look older.
And the greatest praise to India is this: not only are her people beautiful; not only are her daily life and cult beautiful; but, in the midst of the utilitarian, humanitarian, dogmatic world of the present day, she keeps on proclaiming the outstanding value of Beauty for the sake of Beauty, through her very conception of Godhead, of religion and of life.
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