A Quote by Kurt Sutter
I joke that I learned the essentials of storytelling from Hanna-Barbera, but I pretty much did. That kind of television is what enamored me as a kid, and that's what really got me hooked. You could say that's where it all began.
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If you mentioned Hanna-Barbera to people, they said, "Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons," and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
If you mentioned Hanna-Barbera to people, they said, 'Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons,' and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
When I was a kid, I did want to be a boy. I didn't like to play with dolls, and most of my friends were kind of sensitive, sissy boys. But as I got older, the mystique of being a girl began to interest me. It was confusing what sexuality was, and the responses of other people, but it didn't make me feel terrified or vulnerable.
How I learned to read was by reading the captions on TV, and I grew up from a really young age watching tons of movies and television. Also, at the same time, I was a pretty hyperactive kid, kind of ADD.
I actually applied at Hanna-Barbera to work on 'The Smurfs' when I got laid off for a brief period of time from Disney. I didn't get the job. That was my first introduction to Smurfs.
I started working at Hanna-Barbera in '92 on 2 Stupid Dogs.
I wrote on a show called Johnny Bravo when I was at Hanna-Barbera.
The voice of every kid hooked on drugs, alcohol or the occult joins the sad chorus "Not me! I didn't think it could ever happen to me. I was sure I could handle it.
I wrote on a show called Johnny Bravo when I was at Hanna-Barbera and he guest-starred as himself.
I hate performing on live television. It's so scary, because, if you screw up, you don't really get any retakes. So when I do television shows now, having been on 'Idol' really helps me mentally to just kind of take it all in. So I learned a lot from it.
Up until the time Turner Broadcasting bought Hanna-Barbera, it was essentially an independent studio whose planning cycle had to be nine months. You got a pickup in January, and you put it on the air in September. That's been the cycle.
I've been singing since I could talk, pretty much. My dad was really musical and taught me how to sing harmonies and got me a karaoke machine with tape decks.
I've been hooked on films ever since I can remember renting VHS tapes. But who got me hooked? I think life did. There wasn't a person or a mentor that got me hooked. I think it was the films themselves that influenced me. A specific memory that comes to mind is watching 'Goodfellas' when I was 12 and thought Robert De Niro looked so cool sitting at the bar smoking a cigarette and contemplating his next "move". I actually would copy his faces gestures and try and get into his mind frame. I would borrow mad dad's clothes and pretend I was a Mobster. So I guess I have to thank Robert DeNiro.
I went to Catholic school, and there was this teacher, a Brother, who saw I could go either way, good or bad. He took an interest in me and got me to do a play. I got hooked on acting, and it gave me something constructive to do. I had a lot of energy.
I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young - most kids colored in coloring books, but I made money off coloring books.
When I was a kid, I was always enamored by - I appreciated the movies, and I was able to see them on VHS when I was a kid, but I was so enamored by the one-sheets and the posters. I had them in my room when I was a kid.
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