A Quote by Cary Fukunaga
In TV, you have no time and sort of just carpet bomb the scene with as many angles as possible as quickly as possible and find it in the edit.
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The thing with TV and filming is the timing is all faked anyway. You do it so many times, from so many different angles. You never really do it all in one go anyway, so they just fix it all in the edit.
There is so little time for us all, I need to be able to say what I want quickly and to as many people as possible. Time passes so slowly if you are unaware of it and so quickly if you are aware of it.
Here's the thing: I come from a filmmaking background, so this concept of sort of overseeing a television show but not directing was, in general, not weird, but I had to get used to what that felt like. My initial instinct was, 'I want to direct as much of this as possible.' But the logistics of making of TV, that's just not possible.
As an actor, I like as much time with the material as possible and given the opportunity, time spent with the other actors in the scene. But that is a rare luxury in working in any TV series.
A lot of these angles are really about trying to mimic broadcast sports angles in order to anchor the scene, to sort of normalize it before it becomes abstracted.
In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.
I imagine if you're one of those genius people working on AI, the desire to find out what's possible is presumably the driving factor, but I hope there are just as many people who are thinking about what we actually want. Just because something's possible it doesn't mean it's going to be good to us.
There is so little time for us all; I need to be able to say what I want quickly and to as many people as possible.
My favourite way of watching the cinema is the biggest possible cinema you can find, with the biggest possible screen, and the loudest possible Dolby - but just me. Nobody else.
I like to train the body from as many different angles as possible to use every modality available to do it.
Always be on time. Never try to make any personal engagements. Do as little talking as humanly possible. Never be disturbed by anything. Always do what you're told to do as quickly as possible. Remember to lean back in a parade, so that people can see your husband. Don't get too fat to ride three on a seat. Get out of the way as quickly as you're not needed.
I always try to look at conflicts from as many different angles as is humanly possible, and in a lot of ways there is no one answer.
I suspect, too, that the modern debates represent the effort of candidates with widely-varying constituencies and special interests to please to tip the hat as quickly as possible to as many of the constituencies and interests as possible. That leaves no time for big-picture issues. Contrast this with Abraham Lincoln and Stephen A. Douglas, where the subject was only ever slavery, and the discussion went right to the bedrock of what a democracy is all about.
There are many films and TV shows I make where people find themselves in fantastical situations; as often as possible, their reactions to it are very normal.
There are many films and TV shows I make where people find themselves in fantastical situations; as often as possible their reactions to it are very normal.
Walking down the red carpet, suddenly I felt very special and different. All the flashlights from cameras and requesting voices from the media, the scene, it was just like what I remembered seeing on TV or a movie when I was a little girl - the scene only when movie stars appeared.
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