A Quote by Kathryn Bigelow
I think violence in a cinematic context can be, if handled in a certain way, very seductive.
Related Quotes
When we say 'cinematic', we tend to think John Ford and vistas and wide-open spaces. Or we think of kinetic camera movement or of a certain number of cinematic styles, like film noir.
I'm really interested in violence. And I think there's an inevitably cinematic property that violence brings to the moviegoing experience. But one still has to be thoughtful and mature about how you depict it and how you think it through. You have to think about the effects that violence has on audiences, and it's deployed so casually that I think it's losing its meaning. And when things like violence and murder and the dehumanization of other people lose their meaning, then we're really kind of in a place where we have to reexamine and take a hard look at ourselves.
Kill Bill is one of my favorite movies. It has this gritty feeling to it, and it's got a little bit of everything - a little bit of western, a little bit of samurai, and a lot of this very cinematic violence that I personally think is very entertaining.
I think violence begets violence. I don't think a way to solve any sort of conflict is with violence because nothing ever ends up solved, that way.
I think generally, Pope Benedict did a good job cleaning up the way the church handled abusive priests but didn't go far enough in how he handled bishops who enabled them.
Non-violence is a very powerful weapon. Most people don't understand the power of non-violence and tend to be amazed by the whole idea. Those who have been involved in bringing about change and see the difference between violence and non-violence are firmly committed to a lifetime of non-violence, not because it is easy or because it is cowardly, but because it is an effective and very powerful way.
There is a land problem in Zimbabwe, there is a need land for redistribution but it must be handled different, without violence, without conflict, within the context of the law, bearing in mind the interests of all Zimbabweans both black and white. It's necessary that the Zimbabwean government to respond positively to those sorts of messages.
I think there's a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.
There is no other way to break the frozen cinematic conventions than through a complete derangement of the official cinematic senses.
I'm a right pain in the hole for my agent. I won't take certain parts if I think they're offensive or banal. For instance, I won't do a film if I think it's full of violence for violence's sake, or a television drama if I don't think it's intelligent writing.
Mental illness is a real thing. It has real material consequences for people who suffer from it and at the time even the most biological finding reflects social context in very important ways, and so I think psychiatry is better off looking both at biology and at social context and really trying to think of the relationship between these and I think doctors and patients are better off that way.
Violence is a form of cinematic entertainment. Asking me about violence is like going up to Vincente Minnelli and asking him to justify his musical sequences.
There's always changes in the way they do that in the cinematic universe. I think, with the S.H.I.E.L.D. 2.0, you're seeing some of the first ripples of those different points of view on what S.H.I.E.L.D. should be when it's rebuilt. I'm very, very curious to know which side Coulson will end up on in that struggle.
Strictly speaking, no activity and no industry is possible without a certain amount of violence, no matter how little. Even the very process of living is impossible without a certain amount of violence. What we have to do is to minimize it to the greatest extent possible.
I think something that's very relevant in real life and that they don't portray enough on TV is that when you think 'Christian,' you think 'goody two shoes' - they have to look a certain way and do certain things - and it's just not true.
When you write a scene where somebody is afraid of something you instantly go to decades of genre cinema: horror, suspense, and thrillers. Those are very cinematic genres, when you shoot a close-up of someone and you can see fear in the person's face, or anticipation, or some kind of anxiety, it's a very cinematic image.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director