A Quote by Catherine Tresa

None in the 'Madras' team knew what to expect. We were just sure that we were making a good film. — © Catherine Tresa
None in the 'Madras' team knew what to expect. We were just sure that we were making a good film.
I knew Secrets and Lies was a great film, but I didn't expect it to get the attention it did because none of his other films had and I thought they were just as good.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
Did I meet with people that were Russian? I'm sure, I'm sure I did. But none that were set up. None that I can think of at the moment. And certainly none that I was representing the presidential campaign in any way, shape or form.
We couldn't predict what would happen with 'Roots.' You knew there were powerful moments that were going to affect people. We were making the film while the book was being completed. We were fortunate because the hardcover book was out and on the best-seller list. The heat was still on.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
The first English settlers of North America knew they were making history. New Englanders in particular were so sure of it that they started writing their own accounts of themselves as soon as they got here.
When I was in high school in the early 1970s, we knew we were running out of oil; we knew that easy sources were being capped; we knew that diversifying would be much better; we knew that there were terrible dictators and horrible governments that we were enriching who hated us. We knew all that and we did really nothing.
I grew up pretty secular. I went to public school, and all the Jews that I knew, none of them were religious. While probably half of my friends were Jewish, they were all secular Jews. We went to Hebrew school, we knew we were Jewish, but it wasn't a major part of our existence.
He knew that we gave constant lip service to the dictates of safety and howled like Christians condemned to the arena if any compromise were made of it. He knew we were seekers after ease, suspicious, egotistic, and stubborn to a fault. He also knew that none of us would have continued our careers unless we had always been, and still were, helpless before this opportunity to take a chance.
I'd be at someone's house or be up on the roof all day and I'd get lonely - stir crazy - and talk radio became this soothing voice in my life. But the idea that I was making $10 an hour and stacking drywall while these guys were making a few hundred thousand, and they were having a party, and there were Playmates and there were good times, I just couldn't imagine it.
We didn't realize we were making memories we just knew we were having fun.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
Blake & Murphy were winners, I was a winner, and winners usually gravitate toward each other. They helped me, so I helped them in any way I could. I knew they were able to retain their NXT Tag Team Championship on their own, but when the matches weren't going the way they wanted, I made sure to step in. We were an unstoppable group.
There was a period that black film had no chance of making it in Hollywood. So, people just made the made the statements that they wanted to make. Whether it was a science fiction film or whatever, b/c they were just making movie for themselves. Then there was a period where people were creating projects as their Hollywood audition 'pieces'. I feel that today we are moving back to the era where we all have our own voices.
I was never an actress -- none of us kids at Metro were. We were just good to look at.
The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I am sure that really they were as uncertain as I was.
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