A Quote by L'Wren Scott

Even though education was key in my family, I had no access to museums or art where we lived. I was a bit starved. — © L'Wren Scott
Even though education was key in my family, I had no access to museums or art where we lived. I was a bit starved.
I'm a beneficiary of an extraordinary education, and I believe that no matter where you live, the access to education is key to social mobility.
I grew up as a kid being able to attend concerts, go to art museums. Santa Barbara was a rich cultural community, and I had access to everything. I think that shaped me as an artist.
I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums.
He kissed her as though he were starved for her. Like he'd been held away from her and had finally broken free. It was the kind of kiss that lived only in her fantasies. No one had ever made her feel so..consumed.
In college I had to major in something, so I was like, "Okay I like art history, so I will major in that." I never really had any ambitions to work in museums or anything, though.
I believe that the key to building a strong economy in Wisconsin starts with education. Every single kid in our state deserves access to a good public education, no matter their zip code.
Even though I'm not privileged in the money world, I'm privileged in other ways: I had greater access to education, I can travel, etc. It's the same with writing: the freedom to move in and out of different places, of different realms of existence, of different life forms.
Norman Rockwell - even though we think of him as a great American artist, in a lot of museums he has not garnered that kind of attention. And it's this kind of accessibility that we're trying to bring - not looking down on any art.
In my travels all over the world, I have come to realize that what distinguishes one child from another is not ability, but access. Access to education, access to opportunity, access to love.
We do have Museums of African American Art in the United States, and there is a National Museum of Women's Art. However, I believe Latinos are best served by displaying their art next to the art of other groups, particularly North American, European, and even Asian artists.
In the Internet world, both ends essentially pay for access to the Internet system, and so the providers of access get compensated by the users at each end. My big concern is that suddenly access providers want to step in the middle and create a toll road to limit customers' ability to get access to services of their choice even though they have paid for access to the network in the first place.
Growing up, I lived in a house without art: no picture books on the shelves, no visits to museums, no posters on the bedroom wall.
When we even use the term 'specialized world,' we already have a problem! We're making art; they are making art... these worlds are not far apart from each other. For instance, pieces of art that hang on a wall can be seen in museums or can be used in a variety of commercial ways. That art is everywhere, so the message is that it's a part of everyday life.
I was a Fine Art major. You do a bit of everything until the final year, when you specialise. I did pencil drawing and sculpture. It's a pretty well-rounded fine art education. I thought that it was viable option to make a living out of art. I'm not sure if I was thinking realistically; maybe I never was. But it had great appeal.
Thoughtful education programs and access to effective forms of contraception are key to preventing unplanned pregnancy.
I was born in St. Louis and lived in Pittsburgh for a bit, before my family moved to Nigeria, where they're from. We lived there for three or four years and came back to the States when I was about ten. I realised that I'd gone from place to place not fitting in. The thing that helped me fit in when moving around and not having a ton of friends was that I could make art. That was the through-line.
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