A Quote by Lara Stone
It's not like I'm sitting at home coming up with some secret beauty plan.
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It's not like I'm sitting at home coming up with some secret beauty plan. I try to eat fruit and be healthy. If I'm feeling a bit sickly, I usually get a good spray tan.
It's like [Donald's Trump] plan to defeat ISIS. He says it's a secret plan, but the only secret is that he has no plan.
Sometimes the first step is the hardest: coming up with an idea. Coming up with an idea should be like sitting on a pin-it should make you jump up and do something.
For me, the sketchbooks are more like a secret and wholly spontaneous jeu d'esprit and some of them I like as much as anything I have ever done. They are invariably without premeditation. I mean not only that I have no plan when I make them, I also have no plan to make them.
Let me let you in on a secret. I do plan to be on the podium with President Clinton when she's inaugurated in January 2017 - but I'm going to be sitting with the senators.
What a strange power the perception of beauty is! It seems to ebb and flow like some secret tide, independent alike of health and disease, of joy or sorrow. There are times in our lives when we seem to go singing on our way, and when the beauty of the world sets itself like a quiet harmony to the song we uplift.
I love writing. It's one of my favorite jobs. Of the things I get to do, I love sitting in a room and coming up with ideas, and I love going home and pounding them out.
Sitting around home I mostly play acoustic. I've got seven or eight guitars of various sorts, including a baritone. Sometimes at home, because a guitar is just lying around, that's the guitar I pick up rather than actually choosing something. I try to plan ahead for my laziness by leaving interesting things scattered about. If I leave a baritone guitar lying around, that's the one I'll pick up, and I'll start writing baritoney things.
Oslo is a city with a hidden beauty that I wanted to explore and find out if it was possible to capture the specific feeling of bicycling home from a party early in the morning just as the sun is coming up.
Sitting around with Jim Carrey, coming up with bits, is, like, beyond a dream come true.
There's a secret that real writers know that wannabe writers don't, and the secret is this: It's not the writing part that's hard. What's hard is sitting down to write. What keeps us from sitting down is Resistance.
No. Absolutely not.” “Simon,” she said. “It’s a perfectly fine plan.” “The plan where you follow Jace and Sebastian off to some unknown dimensional pocket and we use these rings to communicate so those of us over here in the regular dimension of Earth can track you down? That plan?” “Yes.” “No,” he said. “No, it isn’t.” Clary sat back. “You don’t just get to say no.” “This plan involves me! I get to say no! No.” “Simon—” Simon patted the seat beside him as if someone were sitting there. “Let me introduce you to my good friend No.
I'm sitting at home every time there's a Grammy. It's like, 'What is Sharon doing tonight?' I'm sitting home watching it. But it's OK. But if you go to Europe, there are a lot of young, independent labels that's doing soul music. You might call them retro because they're young and they're trying to imitate somebody. But I ain't retro.
It's one thing to be sitting at a drawing board, alone in your home and coming up with a fantasy character, and drawing her whichever way you feel like drawing, then dealing with a real performer. All of a sudden, things change. It's amazing, in working with actors, how much I learn from them and how many new lines will come to mind because of their personality or their strengths.
I've found myself on some days leaving home at three in the morning. I'm outside the training ground at five but they don't open up until seven. I'm just sitting there, listening to the radio.
I like coming up with these spectacular extravaganzas that will, hopefully, totally blow people away. But I also like the intimacy of stopping it all and sitting at the edge of the stage and connecting with individual people in the audience.
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