A Quote by Lexi Alexander

Joel Schumacher fired me from 'Batman & Robin.' I don't think anybody knows that. I was having trouble with these contact lenses that were supposed to make your eyes glow under blacklight.
It looked like it might not work out with Michael Keaton, so they asked Joel Schumacher, `Who do you want for Batman?` When he said me, I asked my agent, `Why? Who did they not get?` I`d met with Joel a couple of times before about other (movies). I didn`t know anything in terms of the cast, story or anything, but I said, `Sure, sounds like fun.` - On accepting his role as Batman.
For almost 40 years, he was the brightest star in the comedy galaxy... Their beautiful light will continue to shine on us forever. And the glow will be so bright, it'll warm your heart, it'll make your eyes glisten, and it'll make you think to yourselves: Robin Williams, what a concept.
I was watching Batman, the TV show, on TV Land, on the cable. And Robin said to Batman, Golly, Batman! Why is the Joker so evil!? And Batman said, Careful, Robin. The criminal mind sees the world through a prism the solid citizen dare not peer through. Batman has a more nuanced worldview than the president.
I like having pairs of characters to play off each other. I love drawing Batman, but he's more fun with Robin. Batman charges ahead, Robin jumps off the walls. It's fun showing that contrast.
Everyone wants to be Batman; I want to be Robin. I'll make Robin cool. Make him legit.
Something that would probably surprise my fans is that I wear contact lenses, and nobody really knows that because I guess I've never really had to tell anybody about that.
First of all, what made him [Duke in "Zero Year"] captivating is this sense of somebody who wants to save the city regardless of whether Batman wants to or not, but has been inspired by Batman. He's always been - not combative with Batman or anything - but I think he has a sense that what Robin is and what heroism is in Gotham is something that's inspired by Batman and sort of separate from Batman.
My book is very wild. But you know during the period of BATMAN, that there were thousands of Batman and Robin costumes sold and these weren't just for kids.
It was an audition process after Breakfast Club, and I wasn't really sure I wanted to do the movie. There was a bigger role that Rob [Lowe] was already set to play, so the role they wanted me to audition for was Alec. [Director] Joel Schumacher... this is back in the days when you could trick me with things like this. He goes, "Don't you think you can play it?" And I go, "Okaaaaay." So then I did it for all the wrong reasons but I don't think I would fall for that again. Who knows. I might.
With Batman&Robin, the fourth entry in the recent Batman movie series, the profitable franchise appears poised to take a nosedive. This film, which places yet another actor in the batsuit, has all the necessary hallmarks of a sorry sequel - pointless, plodding plotting; asinine action; clueless, comatose characterization; and dumb dialogue. Batman&Robin moves at a dizzying pace, yet goes absolutely nowhere.
I needed more stuff that glowed so when the lights went out, you could actually see me the whole time. So I slowly built it from there. I wanted everything to glow. I want my hair to glow, I want my nails to glow, I want my eyes to glow, I want my lips to glow, you know?
I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.
I started modeling and after a while the photographer Bruce Weber introduced me to Joel Schumacher, who cast me in my first film, and I just fell in love.
Did A tell you your eyes remind me of blown glass? I can see your soul through those eyes, Amy. They get darker when you’re trying to be sexy and shine when you smile. And when you think you’re in trouble you blink double the amount that you usually do. And when your sad the corners of your eyes turn down. I miss your eyes. And I don’t want the sad ones to be my last memory of you.
I didn't think that and I didn't verbalize that to myself or within meetings that we ever had, but we wanted to make a hard-nosed, gritty, realistic spy thriller. Roger talked about using lenses. He shot hi-def, but using anamorphic lenses that he'd found from this warehouse. He was so thrilled with that. Him and Romain [Lacourbas] were just like kids in a toy store with their lenses.
Contact lenses make me miserable, as soon as I put them in. That's what creates the pouting and brooding character.
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