A Quote by Lily Yeh

When I see brokenness, poverty and crime in inner cities, I also see the enormous potential and readiness for transformation and rebirth. We are creating an art form that comes from the heart and reflects the pain and sorrow of people's lives. It also expresses joy, beauty, and love. This process lays the foundation of building a genuine community in which people are reconnected with their families, sustained by meaningful work, nurtured by the care of each other and will together raise and educate their children. Then we witness social change in action.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
A community that sees so clearly its own disadvantage or its own hardships also has a harder time seeing its potential: its ability to work together to change the community and change their lives.
The economic distress of America's inner cities may be the most pressing issue facing the nation. The lack of businesses and jobs in disadvantaged urban areas fuels not only a crushing cycle of poverty but also crippling social problems such as drug abuse and crime… A sustainable economic base can be created in the inner city, but only as it has been created elsewhere: through private, for-profit initiatives and investment based on economic self-interest and genuine competitive advantage.
My greatest influences are actually probably a set of different teachers. And these teachers, most prominently at my high school, but also a few others, helped kind of instill in me, thinking thoughts about how life is meaningful in terms of how we all kind of live in a network of people and how you interact with those people is part of what makes life essentially meaningful and then kind of concepts to think about, how do you add value to other people's lives? How do they add value to yours? And how do you kind of form a community together in the network?
The meaningful work and the meaningful relationships are, to me, comparable rewards. I think being on a mission to do something great is great, and to be on that mission with people who you have really meaningful relationships with not only provides both types of rewards, but it's mutually supportive. Because you can have tough love, but there's also the love part of that in terms of the caring for each other, and when you have the caring you can be tougher on each other. Some people describe it as an intellectual Navy Seals.
Certain people give off positive energy, others negative. It's the quality of someone's being, a measure of the love with which they've led their lives. It also reflects the inner work they've done, their efforts to heal anger, hatred, or self-loathing, which poison us like toxic fumes.
Can it really be love if we don't talk that much, don't see each other? Isn't love something that happens between people who spend time together and know each other's faults and take care of each other?...In the end, I decide that the mark we've left on each other is the color and shape of love.
The immense joy in welcoming back the lost son hides in the immense sorrow that has gone before....our brokenness may appear beautiful, but our brokenness has no other beauty but the beauty that comes from the compassion that surrounds it.
Hula is the art of Hawaiian dance, which expresses all we see, smell, taste, touch, feel, and experience. It is joy, sorrow, courage, and fear.
Now culture being a social product, I firmly believe that any work of art should have a social function to beautify, to glorify, to dignify man... Since any social system is forced to change to another by concrete economic forces, its art changes also to be recharged, reshaped, and revitalized by the new conditions... The making of a genuine artist or writer is not mysterious. It is not the work of Divine Providence. Social conditions, history, and the people's struggle are the factors behind it.
You might not see climate change as an immediate threat to your job, your community, or your families," Kerry said. "But let me tell you, it is." He continued, "climate change is directly related to the potential of greater conflict and greater instability. I'm telling you that there are people in parts of the world - in Africa today, they fight each other over water. They kill each over it. And if glaciers are melting and there's less water available and more people, that is a challenge we have to face.
The Lily Foundation is an inspiring charity that helps to improve the lives of children with Mitochondrial Disease. I've had first-hand experience of the Foundation's work and I'm proud to raise both awareness and much needed funds to help with the inspiring work they provide to children and their families.
Dancing as an art, we may be sure, cannot die out, but will always be undergoing a rebirth. Not merely as an art, but also as a social custom, it perpetually emerges afresh from the soul of the people.
No matter how you measure it, women and girls bear the brunt of poverty. But it's also clear that women are also our greatest hope for ending it. We at CARE have long believed that if you change the life of a girl or woman, you don't just change that individual, you change her family and then her community.
Separation happens in so many different dimensions. We see it everywhere. I believe we are all part of the spiritual heart. We all come from that place of oneness, so that place in us that knows love, that knows connection, hurts. It's a challenge that we also feel more than any other time because it's in the news and social media. It's in our families. There is division with people in our lives, as well as political division and religious division.
I see clothes as an art form, and also a statement: no matter how vociferously people protest that they don't care what they wear, they sort of have to.
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