A Quote by Louis Theroux

I don't like that feeling of holding back difficult questions. I feel like the more I can be transparent in the way I approach a story, the more it makes a satisfying programme.
I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.
With 'Woman Far Walking,' that was as good as it gets and I didn't want to do any more. It was satisfying but really exhausting and I didn't want to go back there any more. It was feeling like a 9-5 job and I didn't feel excited about it.
The stage is like a magnifier of thoughts and emotion and vibration; that's what the stage is incredible for because it makes you live other lives. It makes you experience other emotions. It makes you feel more beautiful or more alone or more angry. It makes you feel much more, more, more.
There's nothing more fun than standing at the plate and hitting the ball really hard, see the ball go over the fence. It's really a satisfying feeling. It always makes you feel like you're doing your job.
I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way.
The more reality we face, the more we realise that unreality is the main programme of the day. The more real we become, the more abuse we take, so it does radicalise us in a way, like being put in a corner. But it would be better if there were more of us.
When I feel better looking in the mirror, it makes me feel more uplifted. I feel like what that image has been has shifted in different ways, and that's probably why I'm always changing: because I start getting bored, and I don't like feeling locked into anything.
The most satisfaction I get is from doing a good gig, which really makes you feel in control. If you've worked a room really well, it makes you feel great. TV is a bit more difficult; there are more factors that can screw it up along the way.
I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.
I love feeling like I'm 'on the pulse' of things. Nothing more satisfying, more valued, more exciting as a writer. Because shaping pop culture really means that you're saying something that a lot of people want to hear.
Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can't just cut to it.
I think I approach my choices much the way I approach the way I consume movies and TV and stuff. I like everything, and sometimes I'll feel like a horror movie, and sometimes I'll just feel like an episode of 'Hoarders.'
I saw the 'Popstars' programme and to me it looked more like 'Opportunity Knocks' than the kind of cutting-edge postmoderism that The Guardian would like to have us believe it was. I think what it's more about is the public and the music industry's bloodlust. It's just like someone itching to say 'Oh, confound it all, let's bring back hanging, that was good entertainment'.
I really like New York a lot, but I like it more as a place to visit. It was really difficult for me to live there. As a person from California, I'm still very neurotic and anxious, but in a more laid-back way.
I don't particularly like the idea that there's an arc to the story and that therefore in this scene you have to convey this bit of information or emotion. I like more the feeling that, of course, there is a shape to the story, but that each scene should feel right, should be true at that moment, and that gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that's interesting.
I feel like I'm going backwards, actually, as I get older. I'm regressing. I feel more and more like a kid, which is kind of a fun feeling.
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