A Quote by Mike Bartlett

When I can find a story that explores something that I don't know what I think, I've got a play. If I knew the answer, I would write a speech or an essay. — © Mike Bartlett
When I can find a story that explores something that I don't know what I think, I've got a play. If I knew the answer, I would write a speech or an essay.
I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing.
I don't know what the definition of a short story is, and I don't even care to answer that question. That's something somebody in academia would think about. I just want to tell a story, and if people listen, and if it stays with you, it's a story.
Can I say something? Um, I'm the type of person that if you ask me a question and I don't know the answer, I'm gonna tell you that I don't know. But I bet you what, I know how to find the answer and I will find the answer.
If I'm feeling something, I know if it's a song, or if it's a little story that I'm going to write, or if it's a painting or play. I might sit down and write a play.
I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.
I didn't know how this would play out when I was a kid. I knew I wanted to play ball, be a paleontologist, and write poetry. I thought, 'Heck, where will I find the time? Well, football comes first, and I'll just find some time for poetry, and paleontology can come at the end.' I made this plan at 14, and dang, it's all coming together.
The essay I had to read was called, "An Essay on Criticism" by Alexander Pope. The first challenge was that the essay was, in fact, a very long poem in "heroic couplets". If something is called an essay, it should be an essay.
Back in the day, a lot of our instructors in nonfiction were actually fiction scholars. So they would bring in stories as models for the essay. And in some ways that's a good idea, because we can all learn from other genres. But I think it also made me realize that I literally didn't have an essay model, and that if I wanted one I would have to find it.
The book was just something that came along after we played the Super Bowl and I wrote a little essay that went online. Then I had two or three weeks and I said, wow, that essay was pretty good. Maybe I'll try and write some other stuff. Writing about the depression, I just felt - you know, when you write a book like this, you have to open up your life. You have to be willing to do so to a certain degree.
I think a lot of creators are attracted to those toys they got to play with when they were young, and everyone wants to write a Superman story or a Batman story or a Spider-Man story. I don't know, if it's been successful for me, it should be successful for anyone. "Hit the ground with your feet running" is the secret of breaking new characters when it seems like no one else is having any luck.
There's always stuff to write about. So it's very gratifying on a lot of levels. This is stuff I got asked over and over again, or heard about. People would ask me about it, but they kind of knew the answer. It would be this ongoing question: "Your fans are wondering, now that you're married, are you still going to be able to write songs?" I'm serious! I would get asked that!
It's an unusual way to write a crime novel, to have these lingering, fairly large story points, but it's something I knew I had to do if I wanted to write a sequel...but, you know, people still have to read and enjoy this book, or it's a moot point.
In terms of writing, I think something happens to you, and you think, "Oh I'm going to write about that. That's an emotional event." But obviously, if you keep going, and it's something you do with regularity, you've got to find other ways to write.
An essay is a thing of the imagination. If there is information in an essay, it is by-the-by, and if there is an opinion, one need not trust it for the long run. A genuine essay rarely has an educational, polemical, or sociopolitical use; it is the movement of a free mind at play.
I once thought that if I could ask God one question, I would ask how the universe began, because once I knew that, all the rest is simply equations. But as I got older I became less concerned with how the universe began. Rather, I would want to know why he started the universe. For once I knew that answer, then I would know the purpose of my own life.
We write to find out what we didn’t know we knew. We write to know deeper and truer. We write to connect the dots: a whole new constellation.
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