A Quote by Michael Apted

I'd always wanted to do something about the Second World War, but I didn't want to do another combat film, whether it was air, land, or sea. — © Michael Apted
I'd always wanted to do something about the Second World War, but I didn't want to do another combat film, whether it was air, land, or sea.
If you want to go anywhere in modern war, in the air, on the sea, on the land, you must have command of the air.
Nobody could catch cold by the sea; nobody wanted appetite by the sea; nobody wanted spirits; nobody wanted strength. Sea air was healing, softening, relaxing - fortifying and bracing - seemingly just as was wanted - sometimes one, sometimes the other. If the sea breeze failed, the seabath was the certain corrective; and where bathing disagreed, the sea air alone was evidently designed by nature for the cure.
I had wanted to make a film about World War II for some time, but I didn't really want to do something that was set in the trenches, so to speak.
We Germans carried our hatred from the First World War to the Second World War, and now you are about to carry the hatred about the murder of 5 million people on to another World War.
...recognize and respect Earth's beautiful systems of balance, between the presence of animals on land, the fish in the sea, birds in the air, mankind, water, air, and land. Most importantly there must always be awareness of the actions by people that can disturb this precious balance.
The Human Rights Convention was written by Conservatives in the aftermath of the Second World War. It was designed to combat the risk of another Holocaust, and to try to stop people being sent to prison camps without trial.
This land, although not my native land, Will be remembered forever. And the sea's lightly iced, Unsalty water. The sand on the bottom is whiter than chalk, The air is heady, like wine, And the rosy body of the pines Is naked in the sunset hour. And the sunset itself on such waves of ether That I just can't comprehend Whether it is the end of the day, the end of the world, Or the mystery of mysteries in me again.
The fact is that Britain is the most warlike nation on earth. In the history of armed combat, we are the only democracy to have declared war on another democracy - England versus Finland in the second world war, in case you're interested - and we're always at the front of the queue when Johnny Foreigner gets a bit uppity. Who stood up to the Kaiser? Who stood up to Adolf? And let's not forget the Argies. What other country would have sent its fleet halfway round the world and lost 250 men to protect a flock of sheep and some oil that might or might not be there? We're still at it.
I knew that I wanted to apply for a job in the Air Force, that I couldn't because it was a direct-combat, ground-combat role.
A war film can be propaganda and they're very valuable as propaganda, as we realized in Britain in the Second World War. Film as propaganda is a very valuable tool. It can also demonize, which is the dangerous side of a war film as propaganda. But there are war films that are not propaganda. It's just saying 'This is what it's like.' For 99 percent of us we don't know what it's like. We have no idea. So to reveal that to the audience is powerful.
Air superiority is a condition for all operations, at sea, in land, and in the air.
As an actor, it's all about whether you can sell the emotion on your face... that desperation, the panic and rage that comes with combat. The emotion of combat is important to me. I mean, you feel almost sick if you see a real fight where someone is getting badly beaten up. You can get emotionally involved in combat that has nothing to do with you in real-life, let alone if you are actually in it... or it's someone you know, and so you should have those same feelings on film.
I always knew I wanted to be on air and travel the world and tell people's stories. I wanted to convey something from other cultures to the U.S. - and vice versa.
In 1993, my first documentary was about the civil war in Algeria. That was in French and in Arabic. Another short film I did was silent. What I'm trying to say is that, yes, I'm Italian, and yes, I make films with Italian money, but personally, I've always been invested in the broader world of film-making.
... there was the first Balkan war and the second Balkan war and then there was the first world war. It is extraordinary how having done a thing once you have to do it again, there is the pleasure of coincidence and there is the pleasure of repetition, and so there is the second world war, and in between there was the Abyssinian war and the Spanish civil war.
The First World War created the Second World War because that was a war between three grandsons of Queen Victoria: The King of England, the Kaiser and the Tsar married Queen Victoria's granddaughter. And that triggered Communism in Russia and Fascism in Germany and led to the Second World War.
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