A Quote by Michael Bierut
When it comes to working on identities, a lot of the time I find myself working with a company that has been around for a while. No matter what they say their goal is, the history and the impression that they have already made in the minds of the public is a real thing that you have to deal with.
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The time is a thing; you don't have so much time. A good trick is to try and think about a way to use material from one occupation for the other. It's like going through working a day job, this is so dumb to say, but you know how Julian Schnabel made those crockery paintings while he was working as a short-order cook? It's like that, using what is around, transforming that to create meaning and make art. Trying to take nothing and make... something.
I always collect images, maybe because I was working with historic material - but even if I were working with contemporary material, I would do the same thing. I keep a kind of index of them while I'm working. I find them incredibly useful, not so much to illustrate a time, but to give some sense of the feeling of a time.
You ask every conceivable question after Sept. 11 in terms of what more could have been done, what could have been done differently. My impression from working on these cases and investigations for almost nine years was that an awful lot of people were working over time to connect dots.
I think, because I've been working for a while, I've been working since I was ten, I had the fortune of reading a lot, a lot of scripts.
I'm working on a young adult novel. I've been working on it for a while, because I don't know how to write a novel and I'm teaching myself. For that reason, I've been reading a lot of YA [young adults], which I never have before. It's totally new to me.
I've been working steadily as an actor since around 1998. I wasn't well known in the public, but I was a dependable working journeyman.
The funny thing is, I sometimes get the impression that some people outside of the field think that there's some element of security that we have in working on a theory that hasn't made any predictions that can be proven false. In a sense, we're working on something unfalsifiable.
I've done a lot of basketball drills, not a whole lot of competitive stuff. I have basically been in the gym everyday working on my game, working on the time off that I've had from the game, just getting myself prepared mentally and physically for the season.
When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
We talk a lot about our identities, and we talk a lot about working to clear misconceptions about those identities. But it'd be really cool to see someone like myself not even have to talk about being Muslim or Egyptian, because it's just understood. We can all just be weird and not have to explain everything.
The mind is a vagrant thing ... Thinking is not analogous to a person working in a laboratory who invents something on company time.
Answering criticism that the book for which he won a Pulitzer Prize was written in the years he had been employed at the Smithsonian. He specified that did not write on the premises there, but only at home outside of working hours.
I was certainly seriously emotionally affected [ when Louise Hillary and Belinda Hillary died], but we were building the hospital at the time and I decided that the only thing to do was to carry on and complete the hospital - and it was a jolly good hospital too, I might say. So I really did it by working and working on the things that Louise and I had been working on.
I suppose I don't have to work, but I do love working. I class myself as a working-class girl, and I've never stopped working. When I'm offered shows here, there and the other, I do an awful lot because I feel other people would love to be offered what I'm offered; who am I to say no? I'm definitely working class, and I always will be.
The primary goal I set for myself on how I define what success looks like for me is am I working at a company that matters? Am I working with somebody who I think affects positive change? Am I providing a benefit to my family? Am I enjoying myself? Why would I put a limitation on my enjoyment? There is an old view on Wall Street that says, 'They love you until they don't.' I am going to stay happy until I am not.
My life goal is to find a nice balance between working for money and working for fulfillment.
I've always been a history lover. I've spent a lot of recreational time walking around historical castles and estates, in Britain and Europe, and so I know what the real thing looks like.
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