A Quote by Michael Crichton

The experience of climbing Kilimanjaro affected me so powerfully that, for a long time afterward, if I caught myself saying, "I'm not a person who likes to do that activity, eat that food, listen to that music," I would automatically go out and do what I imagined I didn't like. Generally I found I was wrong about myself - I liked what I thought I wouldn't like. And even if I didn't like the particular experience, I learned I liked having new experiences.
I don’t care what people think…I learned a long time ago…I was 19 and had a very traumatic experience….and I learned that I have to go to bed with myself at night and that I have to please myself…and as long as I don’t go out of my way to offend anybody that I love, upset my mother or my husband…I’ll do my own thing. And if the public doesn’t like it, it’s their problem, not mine.
I've struggled with depression, and the signs that I was falling apart - having heart palpitations at 4 A.M. - were there for a long time before I paid attention. Even when my psychiatrist gave me a questionnaire, I found myself trying to circle the answers that made me seem like I wasn't a wreck. I've since learned to listen to my body.
I pay a lot attention to what I eat, but I don't have any specific slimming method. I eat organic food, a lot of fish, no meat, and I force myself to limit sugar, even if I like it a lot. It takes a lot of effort! I have to practice sport a lot because I love cakes. I've danced for a long time. I learned the discipline, how to like doing efforts, endurance. Today, I practice a physical activity at least once a day. I run or I take a hike. Sport is for me as much physical as mental.
I know the movies that I've liked, and I know the experience that they've given me, so the goal is always to try to create a movie that I would like myself and that would knock me out, challenge me or intrigue me in some way. That's been my criteria for figuring out what I want to do, or also when I'm writing something or creating a scene.
I've often liked a girl, made her laugh, and thought she liked me, and then found out that she didn't like me that way. I've definitely done time in the friend zone.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
I liked interacting with students. I liked having coworkers. For a long time, I was really worried that sitting at home by myself in front of a computer was going to make me crazy.
There was a long time in my life where I made music that I thought my friends would like, or that I thought would get me a record deal, or what I thought I was supposed to make because that's what I was seeing in mainstream. I didn't know myself; I didn't find myself musically or, in real life.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
... Hey, I didn't know you didn't like baloney." I went cold. "I don't like it. I never liked it." Soda just looked at me. "You used to eat it. That's why you wouldn't eat anything while you were sick. You kept saying you didn't like baloney, no matter what it was we were trying to get you to eat." "I don't like it," I repeated.
I didn't like school at all. I never liked the seven different classes system. I liked having just one, like in elementary school - less disruption. I liked history. I failed math and science and gave those teachers a hard time.
I like myself a lot more than I used to. I had a very difficult time in my twenties especially. It was hard for me to look in the mirror and find something that I liked about myself.
I personally feel like people shouldn't have to come out. That, to me, was like a moment for myself where I was coming out to myself with, like, 'Okay, I can be the artist that I want to be, and as long as the music is good, people will accept me. It doesn't matter who I am, what I look like. If the music is good, they will like me. The end.'
I never thought of myself as a rock singer. I was interested in songs like 'Heart Like a Wheel,' and I liked the others for about 15 minutes.
I know from the elders that it's not so easy to sustain a life in music, a presence in the music world, for decades on end. And that's what we're here for: we're thinking about the long game. If that is dependent on other people's desire for me, then it becomes extremely vulnerable to change. Rather than subject myself to that vulnerability, I'd rather embrace change and allow myself to transform, and maybe that means that what I do next week, the people who liked me last week won't like anymore, but maybe that will also lead people to like something else.
I would like to be myself in life - my real self. My ego, though, is powerful and not necessarily working in my best interest all the time. Even when climbing I can't escape the clutches of my ego. The reason why I started climbing was because I could be free from myself.
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