A Quote by Michael Mann
We take safety very, very seriously on every film I make, and that's why I've never had a serious accident or anybody killed when I make a picture.
Related Quotes
I'm a real paradox. Because I'm a very serious person, and I take my work very seriously. But I wrap it up in a court jester and a clown and make people laugh and make them feel good about themselves.
In real life I'm the type of girl who doesn't take herself too seriously. I'm very serious when it comes to work, but I like to make jokes and have a good laugh and make fun of myself.
In real life, I'm the type of girl who doesn't take herself too seriously. I'm very serious when it comes to work, but I like to make jokes and have a good laugh and make fun of myself.
I don't make crappy movies. I spend two or three years making a film. I don't take myself seriously, but I take my movies very seriously.
I can really stir up a conversation. Every time I go to a meeting or a casting, I try to make it as light and funny as I can. I'm always making really awkward jokes. You have to make life fun and not take it too seriously. I may look like I'm very serious and into my work, but if you knew me, I'm just a jokester.
I've wanted to follow my dad into acting for as long as I can remember. 'I've had a very serious round of dramatic training, and I like action films that take their characters seriously, so I figure I'm making it the best of both worlds if I try to bring some serious acting to a shoot-'em-up picture.
I'm very, very serious about what I do. I think there are a lot of people out there sort of thinking it's anybody's game. You know, "You pick up a camera and you make a movie." My experiences over the years have taught me there's a lot more than that to making a film - there's also getting the film seen, and all kinds of complex realities.
Anybody can make a movie, if you have the will. The digital revolution has made it very inexpensive to make a film. Anybody who wants to can do it.
It's not that I'm a serious person; I'm playful and stuff like that, but I take characters very seriously and the work very seriously.
For me, the music of the Beatles then was serious and very, very serious art. So I couldn't take a picture of John laughing his head off or pulling funny faces because he was a serious artist, even when he was only 20.
The reason why I always wanted to make an American film was because of the Western genre. It is something that I would very much like to make in the future, because it's very uniquely American, and I can't make a Western film in Korean.
I did photography in summer camp; I did it in high school. The only hard decision I've had to make was whether to go towards photo or film. And I ultimately realized that the type of photo I was interested in was actually photojournalism. And it's a very individualist career, whereas film is a very team-driven medium. So that's why I chose film.
It's good that everyone has an opportunity to take pictures, the chance to be a photographer. Some are good, too. But the bad thing is that it's very, very difficult to take a great picture. Everyone can take a good picture - even a child - but it's hard to make a great one.
I really took filmmaking very seriously... It was an honor and then a crutch also, because at a young age, I was like, I guess I'm a serious filmmaker. I never set out to be a serious filmmaker. I just set out to make movies.
Martin Scorsese was one of the few who had not been an assistant. Most of the guys had been an assistant and worked their way up. But I had seen an underground picture he had made in New York, a black-and-white film. I had done a picture for American International, about a Southern woman bandit, the Ma Barker story, and it was very successful, and I had left to start my own company, and they wanted me to make another one.
I never understood that if you sweat as much as I used to every night, you drain your body of salts. So I got very, very, seriously ill. I got to the stage where I was almost hospitalized with serious problems.
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