A Quote by Marne Levine

Through an image, people are able to communicate how they're feeling, making even the most invisible struggles more visible to friends and family. — © Marne Levine
Through an image, people are able to communicate how they're feeling, making even the most invisible struggles more visible to friends and family.
We are a people captivated by the power and romance of metaphor, forever seeking the invisible through the image of the visible.
Visible things can be invisible. However, our powers of thought grasp both the visible and the invisible – and I make use of painting to render thoughts visible.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
I do not communicate by words alone. In fact, rarely do I do so. My most common form of communication is through feeling. Feeling is the language of the soul. If you want to know what's true for you about something, look to how you're feeling about it... Hidden in your deepest feelings is your highest truth.
For nature is an image of Grace, and visible miracles are images of the invisible.
People create the illusion of acting natural, which is what I think most documentarians do in part because of the direct cinema orthodoxies that came into play really in the '60s. That moment of performance is a tremendous opportunity to make visible something hitherto invisible, which is how people want to be seen. How do they see themselves? What are the scripts, fantasies, genres by which they imagine themselves? How is storytelling part of what we are as human beings? We wouldn't kill each other en masse if it weren't for storytelling. We wouldn't be able to live with ourselves.
You just pull back for hundreds of miles using the satellite imagery, and all of a sudden this invisible world become visible. You're actually able to see settlements and tombs - and even things like buried pyramids - that you might not otherwise be able to see.
Everyone in Tool is interested in how we present our music. We write a group of songs that have a vibe, energy and feeling, and then we try to pick an image to capture that and communicate a feeling. We want something that adds to the connection with the audience.
The media is tremendously important for all governments that are able to communicate through the it. It doesn't mean there is a balance of editorial opinion that favors what you are doing or that the opposition doesn't have its voice, but you have to be able to effectively communicate your story through the media.
You have to learn how to dress yourself and how to walk into a room and talk to people. Once you're in rehearsal, you have to know how to rehearse and how to communicate with your creatives, even if you don't communicate the same way.
For me, as an immigrant who didn't speak the language, when I would have struggles as a kid, my dad would say, 'Once you are able to communicate with people, they're able to connect with you beyond your otherness.' That is really the message I've carried throughout my life.
Artmaking is making the invisible, visible.
Everybody knows the struggles I went through coming into my career with the free throws and how much work I put into it, how many people made fun of me for not being able to stay in games, this and that.
I definitely admire Blair Walsh the most. He's actually a pretty close friend of mine. Just how he went through his senior year at Georgia, I kind of went through the same struggles. He's been able to coach me through everything and help me. Everyone is there for a reason, and they're all great. On and off the field, there's a reason they're there.
I am extremely happy. It's just an amazing feeling to be in this space at this stage of my life after all that I've gone through and still be able to make the music that is garnishing this powerful momentum in the game right now and you know, get the excitement of my record company and my family and my kids, coming home from school, talking about how their friends declare me the unanimously as the hottest artist in the game right now. All of that is the rewarding feeling you can't put a price tag on.
Feeling invisible definitely makes you want to become visible sometimes.
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