A Quote by Martin Scorsese

I always wanted to make a film that had this sort of Chinese-box effect, in which you keep opening it up and opening it up, and finally at the end you're at the beginning.
My number one goal was to always have to opportunity to have an international business of some sort, opening in Paris, opening in Tokyo, opening in Singapore for example, that was always my dream, and so it came about.
Lisa understands me. I'm very complex, but I have trouble opening up to people. I tend to keep things to myself. All my life, I've been kind of shy - opening up is always a challenge and Lisa can understand that.
People always complain that superhero movies end with a big fight scene where they're tearing up a city, and there's a portal opening up, and they have to close it... I wanted to have a climactic scene that subverted those familiar ideas.
One aspect of our site that I really appreciate is how I put up as much information as I've been able to keep track of: dates, the venue, the city, the country, the number of people there, the door price, opening bands, that sort of thing. One of the very first comments we had was from a guy who said, "By the way, the opening band in Albany in 1993 was not the Very Nice Neighbors, it was the Very Pleasant Neighbors." That brought a great joy to me.
Opening Day was a big thing. I came to a lot of Orioles games. I grew up a couple blocks from here, so I was always coming down to the stadium. I always made it down for Opening Day until I was a little bit older and I had ball. But when I was younger, I always missed school.
Don't worry if you miss your cue, because there's always doors opening. They keep opening.
There are photographers who push for war because they make stories. They search for a Chinese who has a more Chinese are than the others and they end up finding one. They have him take a typically Chinese pose and surround him with chinoiseries. What have they captured on their film? A Chinese? Definitely not: the idea of the Chinese.
My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.
I had this fantasy of becoming a neurosurgeon. You know, the normal Jewish boy fantasy, but I wanted to be a neurosurgeon for some reason. So I started in this unpleasant way. I was an assistant to the coroner, opening up corpses, taking the innards out, opening skulls, taking the brains out.
A "portal" is an opening (door, window, or opening). A heavenly portal or a glory portal is a heavenly opening through which God's goodness manifests. I have seen a portal in a vision and it was a circular opening where a column of light poured down into the earth. There were angels ascending and descending.
As an assistant, when you wake up in the morning, you're opening your laptop and watching film. Then the game starts, and you're watching it until you finally fall asleep.
Growing up in Singapore, I wasn't allowed to visit China. So when I was finally able to go there after the country began opening up to tourism in the 1990s, I found it to be utterly astounding.
The many ways to listen have been reaching into me for years. To enter deep listening, I've had to learn how to keep emptying and opening, how to keep beginning. I've had to lean into all I don't understand, accepting that I am changed by what I hear.
I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."
I always tried to be open-minded, but not so open-minded that my brains would fall out. As G. K. Chesterton says, "The purpose of opening the mind, as of opening the mouth, is to close it again on something solid." I opened my mind, and I finally closed it on the most solid reality I had ever experienced. On December 19, 1959, at 8:30PM, during my second year at the university, I became a Christian.
The stakes are high on every film now because there's the opening weekend. The first week is extremely crucial; increasingly, films are being judged in terms of opening day, opening weekend, then first week. People are going berserk promoting their films.
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