A Quote by Martin Scorsese

I didn't realize there are generations who do not know about the origins of film. — © Martin Scorsese
I didn't realize there are generations who do not know about the origins of film.
We probably have, right now, after the Civil Rights movement - and this was very unfortunate - the most glaring time of giving up on Africa, saying we're Americans. We are Americans. I'm not arguing that point. So are the Italians. So are the Germans. So are the Jews. We're Americans with an historical geography of origins outside of the United States as all people, maybe except the indigenous Americans who came here so long ago, who have generations of people whose historical origins are right here but whose initial historical origins are somewhere in Asia.
The thing about film is that your eye is selective. Film isn't. You have to make film do what you want. Simply photographing something doesn't do it. You have to know how to apply light and know what it does on film.
Creation myths are not about the origins of the world at all, but about the origins of patriarchy which has claimed itself as the world
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
If people get inspired by 'Baahubali' as a film, and they realize they can make a big film or a historical film which has good drama and good visuals, if they realize there are good stories to tell here, then it is good.
Yes, the natural sciences are telling us a great deal about human origins, the origins of our species the origins of our minds; we're on our way to explaining a large part of it. I'll accept an answer provided only by such means as obtaining and exploring, analyzing and arguing over the evidence - not because of a scribe's myopic view of the subject written 500 years before the birth of Christ!
Now I realize that I have to let everyone take what they have to take from the film. No matter what I think about the film, it becomes a little irrelevant. I think I would say that the film is trying to show us that - and I spoke about that earlier - we have to let the teachers invest in their own classroom. There's no use in trying to control everything. Education is fundamental.
From film to film, I realize my strengths and my weakness, and I realize how much better I get. I learn the lingo, I ask questions and I'm on set trying to figure out which shots they're going to use. For me, it's exploring the art. It's not just making a movie.
I don't know if there's ever been a female-driven film or a male-driven film. I don't believe in that. I believe a film is a film - a movie can only work if everything about the film works.
Different generations and people of different ethnic origins have different views on China. But they all agree on one thing. That is democracy.
Know that originally none of us are from Earth. We all have natural origins off the planet. We are having human experience, but one thing we're going to have to come to understand - and I know that's a lot for some people - is that our heritage is within the galactic origin. We are going to come into alignment with that by remembering our individual origins - and that's going to be a very important part of our enlightenment process.
I think Pac is one of those artists that generations on generations know who this guy is, as an artist, as an activist, as an actor - entertainer across the board. I think the new generations of entertainers and artists can be influenced by him just as much as people in the '90s.
I will be doing a film called Whispers, for Disney. It's about elephants, and doesn't have any people in it. It will be a live action film - I don't know how much I can say about it, since I still don't know too much about it.
If you’re looking for the origins of film culture in America, look no further than Amos Vogel.
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it, because that's where you're going to have the most experience of a film, the biggest, the most revelation of a film. But at the same time, I think there are benefits of having seen a trailer where you actually look forward to seeing moments in a film knowing that they're coming up. I don't know which is better.
America was built by immigrants. Almost nobody that I know is any more than three generations, maybe four generations, American.
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