A Quote by Miguel Sapochnik
Whatever project I sign up for, I try to familiarize myself with the material as much as possible before I start.
Related Quotes
What's going to be hard for me is to try to divorce myself as much as possible from what I wrote. I'll have to approach it simply as raw material and try to craft a film script out of it.
I try to sign for as many kids as possible. Kids come first, and I'll always sign for a kid before an adult.
Anxiety is a really crippling condition, and I suffer with it myself, and I feel for anyone who suffers from it. The way that I deal with it is try as much as possible to stay in the moment to not think about the past and not think about what's coming up in the future: to try and just seize the moment as much as possible.
I have always considered myself a fast learner. I try to retain and absorb as much information and knowledge about the [music] business as I can. I don't want to just sit back and have other people do the hard work for me. I try to be involved in every process of my career as possible. I run my own social media, record, and try to vocal produce myself as much as possible, write my own songs, style myself, and learn the business side. If I didn't do acting or music, I was going to school for business. God has put me on this path and I can honestly say I wake up every day doing what I love.
I'm not someone who works a lot, and what I mean by that is that I have a project and I focus on it, and I don't spread myself too thin. I try to give as much as I can to that project, and if we have a lot of time, that's amazing for me, because I like to really dive deep and do as much as I can.
I try to sign for as many kids as possible. Kids come first, and I'll always sign for a kid before an adult. It's funny, because I was never big into autographs as a kid. The only player who I ever wanted an autograph from was Dave Winfield.
When it's time to let go, I don't look back, and I start another project as soon as possible. One thing I remind myself is that I don't want to Photoshop my past.
I'm always confident when I sign up for a project that it's going to be good. That's why I sign up for it.
I am courageous at the decisive moment. But I need a good deal of start-up time, and I try to take as much as possible into consideration beforehand.
If it's possible, I will have some noodles in the morning and start talking to people, start to think about a few things in my head - the project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It's always like setting up some kind of game you can continuously play.
I never really have blank page syndrome. I don't get blocked. I have a plan for my novel before I start which, although incomplete, probably contains enough material for several novels by a quieter kind of writer. And I try to get my arms around that material and see where it takes me.
I love thinking about the film, the project and committing myself as much as possible.
I try to challenge myself as much as possible, as often as possible.
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
When I sign on for a project, I'm there to give the director all the material he or she might need to tell their story, and that's the number one priority.
I try to get as much sleep as possible, moisturize as much as possible and always wash my face before I go to sleep. It's a non-issue. And if I'm too lazy, I'll use makeup-remover pads.
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