A Quote by Morgan Parker
The book [There are More Beautiful Things Than Beyoncé?] is quite complex, and I was worried that it would be marketed as one-sided or flat, and I knew that Mickalene's [Tomas] work would be able to encompass all the many states of being that are in the book.
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What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
For every Book of Job, there's a Book of Leviticus, featuring some of the most boring prose ever written. But if you were stranded on a desert island, what book would better reward long study? And has there ever been a more beautiful distillation of existential philosophy than the Book of Ecclesiastes?
I knew that a zombie book would not particularly appeal to some of my previous readers, but it was artistically compelling, and being able to do a short nonfiction book about poker was really fun and great.
You can't write a book if you've never read a book. And if you've read five books and you try to write a book, your book will mainly encompass the themes and the context of the five books you've read. Now, the more books you read, the more you can bring to a book when you decide to write one. So the more rap I learned, the more I was able to bring to rap when I decided to rap. But this was all subconscious.
I wanted [the book 'There are More Beautiful Things Than Beyoncé?'] to be colorful. I wanted it to be evocative. I wanted a figure of a black woman that the reader has to confront.
If we might reverently imagine ourselves scheming beforehand what kind of book the Book of God ought to be, how different would it be from the actual Bible! There would be as many Bibles as there are souls, and they would differ as widely. But in one thing, amid all their differences, they would probably agree: they would lack the variety, both in form and substance, of the Holy Book which the Church of God places in the hands of her children.
I guess the only thing I'd say is it ['There are More Beautiful Things Than Beyoncé?'] shouldn't be read as "Beyoncé is not beautiful."
After college, I was living in New York and wrote furiously, a huge novel that I knew was a failure. I hoped that the book would work, but to be honest, I think I knew it would never work, even as I was finishing it.
I knew as far back as 2001 that I would write a book called 'A Visit From the Goon Squad,' though I had no idea what kind of book it would be.
I would like to have the superpower of being able to touch a book and then gain all the knowledge out of that book without spending hours and days reading it.
I felt more doubtful than usual with 'Goon Squad,' because I knew that the book's genre wasn't easily named - Novel? Stories? Novel-in-stories? - and I worried that its lack of a clear category would count against it. My hopes for it were pretty modest.
Many years, I would publish four books - an anthology, a book of criticism, a new book of poems, a book of essays.
There's some things that you wouldn't tackle in a children's book because it would be beyond, not the mental capabilities, but the experience of someone under the age of say ten or eleven to encompass. But that field is smaller than you might think. They can easily cope with death and things like that; they know about it and it's a subject that often preoccupies them.
For me, the favourite chapters have always been the last chapters in the books. I knew exactly how each book would end - and how the first chapter of the following book would begin. I knew I wanted to leave the readers with answers - and a bunch of new questions!
That's one of the many things about having the bookstore that I adore. I can walk into the store and say to somebody, "I'm glad you're reading this book" or "I'm glad you're getting this book" or "Don't get that book. I read that book and hated that book. Let's get you this book instead."
When a translator translates my book, it is no longer just my book. It is the translator's book, too. So the book in another language is almost the work of two people. And that is quite interesting to me.
