A Quote by Matt Harvey
There's not one part of me that wants to go crazy and do anything out of the ordinary, but it would be nice to do something and not have it spread all over the place. But that's the world we live in now, and you either have to accept it or figure it out - or become a villain, I guess.
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It doesn't really even bother me about popularity. I live a spiritual life. I don't live a carnal life. If I was seeking to be big, I would do anything. I would go out there and do something crazy, be flashy, be a showboat, but that's not within my persona. If I did something like that, I would be a hypocrite because that's not part of who I am.
I guess he'll have to figure out someday that he is supposed to have this dark side, that it is part of what it means to be human, to have the darkness just as much as the light- that in fact the dark parts make the light visible; without them, the light would disappear. But I guess he has to figure other stuff out first, like how to keep his neck from flopping all over the place and how to sit up.
There's the part of me that's the organizer, part of me that's the artist, part of me that's the person who, even with those two things, wants to figure out what my place in the world is. How to engage with it and whether my life has any meaning.
During your lifetime, the people of our culture are going to figure out how to live sustainably on this planet--or they're not. Either way, it's certainly going to be extraordinary. If they figure out how to live sustainably here, then hum anity will be able to see something it can't see right now: a future that extends into the indefinite future. If they don't figure this out, then I'm afraid the human race is going to take its place among the species that we're driving into extinction here every day--as many as 200--every day
I go now to the wilderness to be a part of it; to accept my place in the world and its place in me; to grow into reality as a tree grows into the rain, to conform to the Earth as a stream conforms to the stones of its bed. To live. To aspire. To be.
Leaders, your God-given job is not merely to preside over something, not to pontificate to your underlings how smart you are, not merely to preserve something from its gradual demise; it's to figure out what God wants to get done in this world, figure out what role you play in that, and then to move something or someone from here to there.
I want to be a villain with steel hands or something. I want to be the crazy, world-domination-obsessed villain. I would love to be a Bond villain.
Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.
In this day and age, when there are so many people creating work online and writing their own shows, I wouldn't tell another actor, 'If you can do anything else go do that.' I would tell them to figure out the story they want to tell, to figure out what artists inspire you and why, and then figure out a way you can create that for yourself.
That is the godawful thing about television today. Performers don't have any place to hit and miss. You're either in or you're out; you don't have a chance to become good at your craft. If you make three pictures in a row and they don't go over, you're out of the business.
It took me several years to figure out who I am and a few more to accept what I discovered. Now, I'm in the enjoyment stage of that process and it's a happy place.
I'm in a hard place now. A very silent place. And I'm struggling to either accept this or drag myself out of it.
I would wake up really early and go into the hotel bathroom, put a towel over the toilet, and put my laptop there. I'd put my headphones on and just write. And so now when I do writing sessions, and I am stuck on a part, or I can't figure out a chorus, I'm just like, 'Give me a second,' and I'll go to that bathroom.
Every once in a while, someone would call me a foreigner or a Yankee, or whatever. In the United States, someone might say something, like how kids do, to point out that you're different. That would come as a surprise to me. As you get old, you either get defensive about it or you accept it and you reach out, because you realize the world's full of people like that.
Everything hurts, every single thing including the weight of him and I'm crying because it hurts and he's telling me he's sorry over and over again, and I figure somewhere down the track we'll work out the right way of doing this but I don't want to let go, because tonight I'm not looking for anything more than being a part of him. Because being a part of him isn't just anything. It's kind of everything.
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
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