A Quote by Nick Park
When I was a teenager, my dad watched my films and told me I could go to art college and study animation. He made me see that I could do this for a living.
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I have always had the feeling I could do anything and my dad told me I could. I was in college before I found out he might be wrong.
I've always loved animation it's the reason why I do what I do for a living - the films of Walt Disney. This art form is so spectacular and beautiful. And I never quite understood the feeling amongst animation studios that audiences today only wanted to see computer animation. It's never about the medium that a film is made in, it's about the story. It's about how good the movie is.
As a young writer, I was on guard against the Latina in me, the Spanish in me because as far as I could see the models that were presented to me did not include my world. In fact, 'I was told by one teacher in college that one could only write poetry in the language in which one first said Mother. That left me out of American literature, for sure.
I grew up in a family in which no male upstream from me had ever finished high school, much less gone to college. But I was taught that even though there was nothing I could do about what was behind me, I could change everything about what was in front of me. My working poor parents told me that I could do better.
Nooo! Leave that to George Lucas, he' s really mastered the CGI acting. That scares me! I hate it! Everybody is so pleased and excited by it. Animation is animation. Animation is great. But it's when you're now taking what should be films full of people, living thinking, breathing, flawed creatures and you're controlling every moment of that, it's just death to me. It's death to cinema, I can't watch those Star Wars films, they're dead things.
My parents have truly gone above and beyond in not only supporting me but also encouraging me to follow my dreams. My dad's only wish was that I made sure to go to college for theatre and study my craft.
You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.
My dad was always my manager as far as I was concerned, even when I had another manager. At times he let me go with someone else who he thought could take me to another level when he couldn't, and he was right. But they were in it for another reason. He was in it because he wanted to see me succeed no matter what, and he made decisions based on being a dad as opposed to a manager.
In spite of the fact of my dad telling me that if I did well, I could go to the military, I said, 'No, I want to go to college.'
Overcoming my dad telling me that I could never amount to anything is what has made me the megalomaniac that you see today.
I got a job as the Visuals Art's Teacher at my Alma Mata, St. Mary's College. Then my interests shifted to animation. Ironically, it was one of my students who sparked this energy in me by introducing me to an animation program called FLASH. So I dabbled and played around with it.
I told my mum recently, when I used to envisage my adulthood, it was just me working at a corner shop that mum and dad could drive me to and pick me up from. I couldn't ever imagine living on my own and having a job that I wanted to do. Because I never saw it.
I was always interested in drawing and painting. I enrolled in college to study painting. But I didn't have any livelihood when I graduated. My mother died very young, and I didn't have any home, so I had to find a way to earn a living. It seemed to me that photography - to the great disappointment, I have to say, of my painting teacher - could offer that. So I went and did a degree in photography, and then after that I could go out and get paid for work. For portraits, things like that.
Shoot, me, if I was going to go to war and you told me I could have Keith Lee, I'll sign up on that one. And you told me I could have the freaking UFC madman Matt Riddle - he's like the new Goldberg - I'll sign up on that one too. I love the guys.
I was a very sickly kid. While I was in the hospital at age seven, my Dad brought me a stack of comic books to keep me occupied. And I was hooked. When my eighth grade art teacher, Mr. Smedley, told me he thought I had actual art talent, I decided to devote all my efforts in that direction in the hope that I might someday get into the comics biz. I became an art major, took every art class my school had to offer. In college, I majored in Advertising Art and Design.
My entire life, people have told me that I couldn't do certain things. They told me I couldn't go to college. They told me I couldn't go to Yale, Georgetown, couldn't end up doing much on Capitol Hill. Couldn't be party chair. And my response has always been, 'Watch me.'
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