A Quote by Nicolas Roeg

I generally try to avoid talking about my old films - I find it difficult. — © Nicolas Roeg
I generally try to avoid talking about my old films - I find it difficult.
I find it difficult to direct myself in my films and so I avoid taking on any major roles in my films as I feel my judgement might be flawed.
I try to find inspiration in books, paintings, illustrations and the one thing I try to avoid is just being inspired by other movies, because then you just are talking about movies in movies. I try to talk about movies that are culturally and spiritually a little more diverse.
One of my rules is I generally don't talk to elected officials. It's kind of a firewall. I'll talk to staff if they have something of interest. I try to avoid talking to politicians altogether. I mean, to be honest, I don't really find them that interesting. If I want juicy information I talk to staff of the politicians.
Before seeing Truffaut 's Small Change, I was afraid it was going to be one of those simple, natural films about childhood which I generally try to avoid I'm just not good enough to go to them. But this series of sketches on the general theme of the resilience of children turns out to be that rarity a poetic comedy that's really funny.
I have come close to producing films. But generally by the time they hit the screen, there's about 50 people with producer credits, so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and try to raise finance.
I try to avoid talking about my personal life, but I certainly don't get angry about it - I just don't talk about it.
Words are changing. I find that old expressions are outdated, so when I write something, I try to find a new expression that hasn't been born yet. It's difficult.
You are always talking about yourself and tennis and how you are feeling. I try to avoid it when I don't have to.
Principles aren't something you hear much from politicians these days. Have you noticed? Right across the board, leaders, whatever the political coloring, avoid talking about laws; they avoid talking about principles. They talk about 'our values.' But values can change, and all our packets of 'values' seem to be getting smaller.
I do subscribe to the 2012 theory, but regardless of the date, it's hard not to notice that humans are polluting the earth with humans, that soon it'll be difficult to get water to people and find land to grow food on. The infrastructures that hold up cities are going to be harder to maintain, and the resources that make it possible are going to be harder to find. I'm not even talking about oil; I'm talking about, like, steel.
To tell you the truth, I'm not unhappy about it. I'm not even sure that I like the idea of adapting novels into films. It's very difficult to do, and it usually doesn't work. There are exceptions, but generally speaking, one feels disappointed with the result.
I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
You have to. But I generally try - I'll creep in the back. I'll be outside. I'll pace around. I don't really get that nervous about whether people like [my films].
I have no conceit as a writer; in fact, I find it very difficult to start writing about sculpture generally & my aims in particular.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
The word power has such a generally negative implication in our society. What are people talking about? Are they talking about muscles, or control?
This site uses cookies to ensure you get the best experience. More info...
Got it!