A Quote by Neil Oliver

I have always been quite careful when I have been approached to do a television project to have the option of writing the accompanying book. — © Neil Oliver
I have always been quite careful when I have been approached to do a television project to have the option of writing the accompanying book.
I've been approached in the past to option my stories for television, but prior to Evergreen, there were no assurances the production would be filmed in Alaska.
I have been approached now and again about sitcoms, but, with very few exceptions, one simply needs to move to L.A. for at least a year or two these days if one wants to develop a series - which is what writing a pilot means. I've also been approached about writing episodes for sitcoms, but in order to do that one actually has to watch sitcoms. . . . Life's too short for television, and I don't what it on my actual gravestone, HE STARED AT A BOX FOR 10,000 HOURS.
I havent been doin much comic book writing for the last several years though, as Ive been writing television projects and a novel.
Growing up, I had always been an avid bookworm and a straight-A student. I approached my cancer the same way I approached writing my senior thesis in college: I buried my head in research journals, interviewed experts and scoured the Internet for information.
I've been obsessed with television since I was 7 years old, and I've always been writing on some level.
I was always working. Maybe you weren't aware of the movies I was making, or the television I was doing, or the shows I was creating, or the books I was writing; there have been thirty. But I have always been solidly at work, running as fast as I can.
I've been approached a few times to write a book, but it's always a concept or a plan that I've not actually done myself.
I never ever approached a dealer. I have always been approached by dealers or curators or whatever.
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?
The challenges of writing a book are very different from writing a blog or tweets. I've been writing a blog since I was in the 6th grade, so I had this style of writing that was definitely not proper for writing a book.
I actually haven't been approached a whole lot for television, believe it or not.
I've never been a bad person and always had quite good morals. There's always been a side of me that's been quite proper, but it's got distracted here and there. Now I'm the person I should be.
Books have always been living things to me. Some of my encounters with new authors have changed my life a little. When I have been perplexed, looking for something I could not define to myself, a certain book has turned up, approached me as a friend would. And between it's cover carried the questions and the answers I was looking for.
An intimate friend and a hated enemy have always been indispensable requirements for my emotional life; I have always been able to create them anew, and not infrequently my childish ideal has been so closely approached that friend and enemy coincided in the same person.
I'm always writing a new book even when books are being shopped around, and none of my books has been published in the order that they have been written.
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