A Quote by Nita Leland

Gather knowledge... Visit galleries, museums, art and craft fairs... Read books and magazines. Take workshops. Use your senses. Experience stimulates your memory and imagination.
My advice to photographers is to get out there in the field and take photographs but also if they are students to finish their course, learn as many languages as possible, go to movies, read books visit museums, broaden your mind.
Just as composers go to concerts and artists visit galleries, writers read. You will learn, in the most enjoyable way, more about style and language from reading good literature than you will ever acquire from workshops and how-to books.
My mum used to paint and my dad did woodturning. We would spend our weekends at craft fairs and art galleries. That was just what we did. We were steeped in that world.
What do you want art to give you? What do you want cultural experience to give you? Shouldn't it be in-depth, profound experiences which have some satisfaction and can be retained in your four senses and your imagination for the rest of your life?
The difference between art and craft lies not in the tools you hold in your hands, but in the mental set that guides them. For the artisan, craft is an end in itself. For you, the artist, craft is the vehicle for expressing your vision. Craft is the visible edge of art.
Read the Bible daily. Make it part of your everyday business to read and meditate on some portion of God's Word. Gather your manna fresh every morning. Choose your own seasons and hours. Do not scramble over and hurry your reading. Give your Bible the best, and not the worst, part of your time. But whatever plan you pursue, let it be a rule of your life to visit the throne of grace and the Bible every day.
Everything is creative. It's all relative to me. No matter what, you've gotta use your imagination, use your senses.
Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge.
I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
The craft of writing is all the stuff that you can learn through school; go to workshops and read books. Learn characterization, plot and dialogue and pacing and word choice and point of view. Then there's also the art of it which is sort of the unknown, the inspiration, the stuff that is noncerebral.
As a working-class girl, receiving free school dinners, I studied art history. Having never had the chance to visit art galleries, I devoured the knowledge, and it has served me well as a practising artist.
You are your greatest investment. The more you store in that mind of yours, the more you enrich your experience, the more people you meet, the more books you read, and the more places you visit, the greater is that investment in all that you are. Everything that you add to your peace of mind, and to your outlook upon life, is added capital that no one but yourself can dissipate.
Visit your local supermarket or retail chain. You'll experience a lot of visual stimulus, but it's unlikely that your other senses will encounter any compelling messages.
The power of imagination is the ultimate creative power.. no doubt about that. While knowledge defines all we currently know and understand.. imagination points to all we might yet discover and create. Imagination is more important than knowledge. Your imagination is your preview of life's coming attractions
I read comic books when I was a kid. Now I have a passion for art and galleries that I think came from that. I didn't read a book without pictures until I was 21.
I'm a contemporary artist and I show in art galleries and museums. I show a number of photographs and films, but I also make television programs, books and some appetizing, all with the same concept.
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