A Quote by Peter Greenaway

Cinema basically examines a personality first and the body afterward. — © Peter Greenaway
Cinema basically examines a personality first and the body afterward.
Cinema doesn't connect with the body as artists have in two thousand years of painting, using the nude as the central figure which the ideas seem to circulate around. I think it is important to somehow push or stretch or emphasize, in as many ways as I can, the sheer bulk, shape, heaviness, the juices, the actual structure of the body. Cinema basically examines a personality first and the body afterward.
When I was 16, I watched a lot of world cinema. I borrowed a lot of my personality from cinema. It has been one of my biggest teachers.
Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.
We can't keep thinking in a limited way about what cinema is. We still don't know what cinema is. Maybe cinema could only really apply to the past or the first 100 years, when people actually went to a theater to see a film, you see?
Poetry examines an emotional truth. It's an experience filtered through the personality of the poet. We look to poetry for visions, not scientific truths. The poet's job is to combine new elements. Explore their melting, seeping into one another.
The first merit of pictures is the effect which they can produce upon the mind; — and the first step of a sensible man should be to receive involuntary effects from them. Pleasure and inspiration first, analysis afterward.
When one is perfectly still-mind and body, silent and alone-there is no personality to speak of, thus personality is one's unique way of expression, it is what others see and know of us, nothing more or deeper than that.
I know that I am more than my personality, my body, and my body image.
I will always listen to my coaches. But first I listen to my body. If what they tell me suits my body, great. If my body doesn't feel good with what they say, then always my body comes first.
It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.
There were a lot of pretty women in cinema around Audrey Hepburn's time, but she stood out because she had a very interesting personality - which went beyond her looks. She did so much for women, for animal rights, for children's education - it's always the personality that comes through and makes one seem beautiful.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
If any person examines by the microscope that part towards the extremity of the spider's body from whence its thread proceeds, he will observe the spot to be, as it were, surrounded by five several protuberances or risings, each ending in a point and altogether forming a kind of enclosure.
First he wrought, and afterward he taught.
My sense of cinema improved slowly as I started watching South cinema, got to know that cinema is much appreciated here.
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