A Quote by Peter Jacobson

Bradley Cooper was an asshole, but he was - like Sidney Lumet, like George Clooney - the nicest guy in the world. I sound like the biggest ass-kisser ever. But I'm telling the truth, I swear to God!
I know I'm going to sound like an idiot, because I actually think that everybody's the nicest guy ever, but I'm telling you: George Clooney, Roland Emmerich, Sidney Lumet - these are literally the nicest people.
I don't know if you've ever seen some of the Sidney Lumet movies, like Dog Day Afternoon [1975] or Network [1976]. They're real events that happen in real time, and there are all of these different characters experiencing the same thing in different parts of the movie ... I am so bad at explaining my films. But it's in the world of finance and the world of media, and how they connect. It was a big undertaking. A big, mainstream movie, which stars Julia Roberts and George Clooney. But for me, it's really just a small story about character and people.
Alejandro Amenabar is a different kind of director than I lot of the directors I've asked for. He really asks you to enter his dream as opposed to, you know, a guy like Sidney Lumet or something is going to ask you to create a character almost like a documentary. He wants you to make the people really real and he's going to capture it like a documentarian.
George Clooney sort of lost his 'George Clooney-ness' the first day I met him. He's not George Clooney in my eyes - he's George from Kentucky with an awesome, awesome heart.
I was walking around with the babies so much that when I got to the Sidney Lumet picture, I would be on set in between takes and I'd be rocking back and forth. Just standing like this rocking back and forth, and Sidney would say, Why are you walking like that in between takes?
I want to be like Bradley Cooper when I grow up.
'The Color Purple' is the kind of character piece that a director like Sidney Lumet could do brilliantly with one hand tied behind his back.
For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"
I don't think I'll ever be comfortable being considered a sex symbol, especially after you work with someone like George Clooney.
After three takes, [George Clooney] is like, 'We got it,' and I'm still thinking, 'I'm just getting used to this. I shouldn't have done it in a Russian accent.' No, he's great. He's a good guy.
I don't feel like I need to air out dirty laundry or any drama. But Robin Williams was one of the nicest guys I've ever met, celebrity or not. The most humble, nicest guy. I will also say he had a lot of issues.
If I could have anyone on speed dial it would be George Clooney. He seems like a cool guy who would give good advice.
You take a guy like George Clooney who goes out there to Darfur, and gets things done! That's magical. He's done a great thing.
I've watched people in these movies like Bradley Cooper in 'Yes Man' become these giant stars themselves.
My publicist told me that a magazine was going to say I was having a thing with either Sam Claflin or Bradley Cooper, and I got to choose. And I chose Bradley Cooper because I love Sam's fiancée so much. Sam is so sweet. So sweet that he's almost not hot anymore.
You walk in and he's an A-list actor, so you're like, 'Oh my gosh it's Bradley Cooper! Let me make sure my wig's on right!'
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