A Quote by Peter Jackson
Prosthetic makeup is always frustrating.
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When I go from a role with heavy prosthetic makeup, which I've done quite a bit of as well, and then do a role where I'm not wearing any, I have to be conscious of toning everything down. Because when you're wearing prosthetic makeup, of course, you have to really move your face a lot more to convey things through the makeup.
All that prosthetic makeup drains you. By the time it's lunch, you're done.
I wanted to be a prosthetic makeup artist after watching 'A Nightmare On Elm Street'.
Half of Hollywood has more prosthetic in their body than I do, but we don't think of them as disabled. You amputate part of a nose, that's 'enhancement'. You put a prosthetic in a breast cavity, that's 'augmentation'. But you amputate part of a limb and put a prosthetic there, it's 'disability'?
When I go from a role with heavy prosthetic makeup, which I've done quite a bit of as well, and then do a role where I'm not wearing any, I have to be conscious of toning everything down.
Of course when you spend four hours in prosthetic makeup and you really are looking at yourself and you see how revolting you've become in a way, it obviously adds another strand and helps you... a little bit more.
The cool thing about my character was that it's not that digital. I get to put hours of prosthetic makeup on and see a different creature altogether. I've seen how he looks and it's really cool.
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.
When you look cakey, or you have too much on, and you actually see the makeup, the makeup isn't doing its job. When you use the makeup in a way where the people aren't thinking about the makeup, and they're looking at you, that's what we want.
When you're with another actor who's also been through five hours of prosthetic makeup, and you're eating another person's neck, and fake blood is being spurted out at you for two minutes, it's incredibly fun, and you're in character for that time. You can't really believe that that's your job.
It was so hard [to do Gigi Does It show]. On paper, that formula is almost impossible to create a winning show with, but then you add four and a half hours of prosthetic makeup every morning, three-inch nails, acrylics, the whole thing, and it nearly killed me.
Out of the tens of thousands of prosthetic legs they've made, there's never been any 400-meter athletes run under 50 seconds. So, if this was such a technologically advanced prosthetic leg, then how come not everyone's qualifying, or coming close to the qualification time, then?
People value makeup differently. Some people see makeup as an artistic expression, some people use makeup as a boost of confidence. I just think makeup is so beautiful and that it really is art. That's why I do makeup.
For dance recitals, my mom would do my makeup all extravagant because obviously I was really little and where else would I be wearing makeup? We would always be in her bathroom before the dance recital, and she'd do our hair and makeup.
Whether I'm wearing lots of makeup or no makeup, I'm always the same person inside.
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